Algonquin Round Table History,News Ruth Hale the Iconoclast

Ruth Hale the Iconoclast

Ruth Hale, feminist

Ruth Hale

Ruth Hale, circa her post-college days.

There was no bigger iconoclast sitting at the Algonquin Round Table than Ruth Hale; None of the members had a gloomier end to their life than she did. She is one of the six female Algonquin regulars that are overlooked. Today Hale is completely forgotten by everyone except the most serious American women’s rights scholars, a name lost to history for a cause she deeply believed in. Hale devoted all of her time and energy to equal rights during the Jazz Age.

The writer-publicist was married to Heywood Broun—but nobody dared call her Mrs. Broun. Hale was the co-founder, with Jane Grant, of the Lucy Stone League, an organization whose motto was “My name is the symbol for my identity and must not be lost.” A biographer termed Hale “nearly fanatical” about women’s rights. She attacked “head-on and without humor, except for mordant satire.” Hale’s cause led her to fight for women to be able to preserve their maiden name—legally—after marriage. Hale sued the U.S. State Department and challenged in the courts any government edict that would not recognize a married woman by the name she chose to use.

Hale was Southern by birth, but she did not fit the stereotype of easygoing grace, charm, and humility. She was born in Rogersville, Tennessee, on July 5, 1886. Her father was an attorney and her mother a high school mathematics teacher. When she was ten her father died and three years later Hale was sent to boarding school at the Hollins Institute (today Hollins University) in Roanoke, Virginia. At sixteen she left to attend Drexel Academy of Fine Art (today Drexel University) in Philadelphia, where she studied painting and sculpture. But writing was her true calling.

When Hale was eighteen she became a journalist in Washington, D.C., writing for the Hearst syndicate. Hale was a sought-after young socialite, and attended parties at the White House when President Woodrow Wilson was in office. She worked at the Washington Post until she went back to Philadelphia to become drama critic for the Public Ledger. She also dabbled in sports writing, which was uncommon for women to do at the time. At an early age, Hale was working in a man’s world. One of her biggest accomplishments was to lose her Southern accent, which she took pride in achieving.

Hale moved to New York City about 1915 and was a feature writer for the Times, the Tribune, Vogue, and Vanity Fair. Hale also did a bit of acting, and posed for artistic nude portraits for fashion photographer Nickolas Muray. She became a sought-after theatrical publicist, and worked for the top producers on Broadway.

She was introduced to Broun at a New York Giants baseball game at the Polo Grounds. They were married on June 6, 1917. When Broun was sent to France to report on the war, she went along too, writing for the Paris edition of the Chicago Tribune. The couple left Paris before the war ended when Hale became pregnant. Returning to New York, the couple set up house on the Upper West Side at 333 West 85th Street. The unusual marriage had Hale on the first floor and Broun occupying the second floor.

In 1918 Hale gave birth the couple’s only child, Heywood “Woodie” Broun III (later as a sports broadcaster, Woodie added his mother’s name to his, and was professionally known as Heywood Hale Broun). The couple led completely separate lives. Broun even squired actresses and showgirls around town.
Early in 1921 she took a stand with the U.S. State Department, demanding that she be issued a passport as Ruth Hale, not as Mrs. Heywood Broun. The government refused; no woman had been given a passport up until that time with her maiden name. She was unable to cut through the red tape, and the government issued her passport reading “Ruth Hale, also known as Mrs. Heywood Broun.” She refused to accept the passport, and cancelled her trip to France. So did her husband.

In May 1921 she was believed to be the first married woman to be issued a New York City real estate deed in her own name, for an apartment house on Manhattan’s Upper West Side. Not long afterward, she was chosen president of the Lucy Stone League. Broun was among the men present; other Lucy Stoners were Franklin P. Adams and his second wife, Esther Root, Janet Flanner, Jane Grant, Beatrice Kaufman, and John Barrymore’s playwright wife Michael Strange (Blanche Oelrichs). In August 1927 Hale took a leading role in protesting the executions of accused anarchists Sacco and Vanzetti. She traveled to Boston as part of the defense committee, along with Dorothy Parker and John Dos Passos. The men were put to death despite international protests. The campaign had a galvanizing effect on her, leading her to fight against capital punishment.

Ruth Hale

Ruth Hale (illustration by Ralph Barton) from the collection Nonsenseorship (1922). Broun can be seen in the window, running a still.

During the 1920s Hale continued to write. She was among the earliest contributors to The New Yorker’s “Talk of the Town” in 1925. Hale worked as a theatrical press agent and reviewed books for the Brooklyn Eagle. She also ghost wrote many of Broun’s columns and reviews. As the decade closed, Hale spent considerable time on women’s rights causes and less time in journalism. Hale and Broun were quietly divorced in Nogales, Mexico, in November 1933.

The last years of her life were filled with sadness. At one time she was a lively and feisty presence on the metropolitan scene, writing for the best newspapers and magazines, married to the supreme raconteur, and hosting brilliant house parties on the Upper West Side. But as the Twenties drew to a close she withdrew from life and spent her days alone at Sabine Farm, in Stamford, Connecticut, living in a rural shack with almost no amenities, cutting herself off from her old friends and alienating Broun and their teen-age son, Woodie.

By late 1933 she had been a recluse for almost five years. She went to Mexico, and obtained a quiet divorce, on the grounds she and Broun lived apart for more than five years. It did not come out in the papers until three months later. By then she was telling friends, “ ‘Ruth Hale, spinster,’ I like it quite well. I can go back to my friends as Ruth Hale. At least I won’t have that god-awful tag, ‘Mrs. Heywood Broun.’ ”

However, the divorce did little to calm her soul. She was forty-seven and not well. “After forty a woman is through,” she told a friend. “I’m going to will myself to die.” Her health deteriorated rapidly. She lost the use of her legs. Hale became weak and stopped eating and refused medical care. On September 18, 1934, she lapsed into unconsciousness at Sabine Farm. Broun rushed her to Doctors Hospital, 170 East End Avenue, but it was too late. Her son said later, “At her own wish she was cremated, and because she had not wanted one, there was no sort of memorial service. One day she was there and the next day she was gone…”

Hale’s mother took her ashes back to her Tennessee hometown without telling Broun or their son. She secretly buried her daughter’s remains in the family plot in the Old Rogersville Presbyterian Cemetery, under a headstone that completely ignored any of her accomplishments. It omits her lifetime’s passion for independence and feminism:

Ruth Hale
Daughter of Annie Riley and J. Richards Hale
And For 17 Years the Wife of Heywood Broun

Adapted from The Algonquin Round Table New York: A Historical Guide (Globe Pequot Press). Book information here.

Related Post

Marie Carroll, Robert Williams, Harry Bradley, Alfred White, John Cope and Howard Lang in scene from Abie's Irish Rose. Credit: Billy Rose Theatre Division, The New York Public Library.

Centennial of Abie’s Irish RoseCentennial of Abie’s Irish Rose

Marie Carroll, Robert Williams, Harry Bradley, Alfred White, John Cope and Howard Lang in scene from Abie's Irish Rose. Credit: Billy Rose Theatre Division, The New York Public Library.

Marie Carroll, Robert Williams, Harry Bradley, Alfred White, John Cope and Howard Lang in scene from Abie’s Irish Rose. Credit: Billy Rose Theatre Division, The New York Public Library.


Today the New York Times published a very thorough and detailed account of the centennial of Abie’s Irish Rose, a hit show 100 years ago that the Algonquin Round Table by turns roasted and scorned. The article quotes Robert Benchley and Alexander Woollcott, with a passing reference to another Vicious Circle member, Harpo Marx.

Opening a few days after St. Patrick’s Day 1922, Abie’s Irish Rose was the miracle show of the decade. Despite withering reviews and serving as the butt of jokes all over town, it ran for 2,327 performances—five years and five months. Anne Nichols wrote the unpretentious comedy allegedly based on a real-life story of a mixed-marriage she heard about. In her story, young Abraham Levy brings home from the war his blushing bride, Rosemary Murphy, a girl he met in France while she was entertaining the doughboys. But knowing how his family would take the news, he introduced her to his parents as Rosie Murpheyski. In the next act the Murphy clan comes over for a visit, and hilarity ensues.

The show appealed to audiences everywhere; at one time six road companies were touring the United States and others were in England and Australia. The playwright raked in more than $6 million and eventually had to cut down on the road companies because the income taxes were crushing her. All the major critics blasted the show, with the exception of Alexander Woollcott. One standout, and long-suffering, reviewer was Robert Benchley. He had to compose a few lines each week for a capsule review in Life. Among his finest gems were, “People laugh at this every night, which explains why democracy can never be a success,” and “Where do the people come from who keep this one going? You don’t see them on the streets in the daytime.”

Dorothy Parker, who is not included in the article, was working for Ainslee’s at the time. She lumped it in with another play of a similar type. In September 1922, she wrote, “And then there came, in quick succession, The Rotters and Abie’s Irish Rose. Despite its having one night’s start on its opponent, The Rotters was defeated by Abie’s Irish Rose for the distinction of being the season’s worst play.”

As the Times points out, no modern theater company is currently interested in a revival of Abie’s Irish Rose. Which may be a good thing.

The Dorothy Parker reviews from the era are collected in Dorothy Parker Complete Broadway, 1918-1923.

Heywood Broun

Heywood Broun on Being Fired in the Spring, Summer, and Winter (Summer is Best)Heywood Broun on Being Fired in the Spring, Summer, and Winter (Summer is Best)

Heywood Broun

Heywood Broun

This is one of the very last columns that Heywood Broun ever published. Broun ran his own bi-weekly newspaper, Nutmeg (later called Broun’s Nutmeg) in Stamford, Connecticut, where he resided. It was in operation in the late 1930s, and was concurrent as he wrote a syndicated column “It Seems to Me” for Scripps-Howard and organized the Newspaper Guild. After his contract was allowed to lapse in late 1939, he moved to the New York Post. He only had one column appear in the paper, as he succumbed to pneumonia on December 18 at age 51. This column was written ten days before his death.

Old Newspaperman
By Heywood Broun
December 9, 1939

It happens suddenly. On a Tuesday, perhaps, you’re sitting around kidding back and forth in the City Room and maybe growing reminiscent about some story you covered quite a long time back. Yes, that’s the way it was. It gave an opening to a young squirt reporter and he said, “Uncle Heywood, how did you like Jenny Lind’s first concert?”

Now naturally I never saw Jenny Lind but I did ride in horse-driven buses on Fifth Avenue and I saw Admiral Dewey come parading across Washington Square and we all hollered because he had won the Battle of Manila and made America a world power.

Everybody got to calling me Uncle Heywood and at the drop of a hat I could be induced to talk about Matty and the old, old Giants. And when the mood gripped me I would even go back to the days of Dan McGann. You can always spot an old newspaperman by his tendency to talk and write of things in the past. Every one of us will insist that they don’t grow fighters like Fitzsimmons any more.

There isn’t any set time for becoming an old newspaperman but around fifty is the dangerous age and at fifty-one the line is definitely marked as the groove on the floor of the Alamo.

I’ve been fired in the Spring, the Summer and early Winter. I like it best in the Summer. Three times in thirty-one years isn’t so much to be fired. The first firing is often worse than the last. It’s very discouraging to get canned when you’re young. That’s the way it was with me. I was twenty-one and working on the Morning Telegraph. My stall in the old Eighth Avenue car barn was right next to Bide Dudley. He was getting $35 a week and my salary was $28. I wanted $30 but when I asked for it they fired me.

The next job was a long time coming. Fortunately I was a man of character and living at home and so I didn’t go into insurance or business but just borrowed money from my father and sat around for six months doing nothing. Eventually Burdick gave me a job on the Tribune.

He was a shy city editor and when he mentioned the salary he didn’t want to pronounce the fatal words. He gazed away off at a distant window and wrote on a piece of scratch paper $25. Newspaper work is like that. You can go perfectly straight down once you are over the top of the mountain but detours are necessary as you come up from the valley.

As a matter fact it was a mountain which made me. Burdick gave me the Tribune job on the strength of a recommendation from Fred Pitney, his star reporter. Pitney remembered that when I covered the E. H. Harriman death watch for the Evening Sun, I had crawled up through the woods at Arden and come right to the door of the big house. Getting there didn’t get me anything but a boot from the butler. Still after a year and a half Pitney remembered me as an energetic young man. I’ve seen that hill since and now I couldn’t walk it let alone make the grade on my belly.

Pretty nearly ten years went by before I got fired again. The World did it. I had gone onto the paper on my own volition and through the seductive influence of Mr. Swope.

The Sacco-Vanzetti case has something to do with it but only indirectly. First of all I went on a one-man strike because they said I wasn’t to write about the case anymore. They didn’t disagree with my opinions but they objected to violence of language. “Is Harvard to be known hereafter as Hangman’s House?” Was the sentence which made the trouble.

At the end of six or seven months the good shoemaker and the poor fish peddler were dead and things were patched up for me to go back to the paper. Getting fired was something of a surprise. Being bereft of topics I dashed off a little masterpiece for The Nation saying that I thought the editorial policy of The Morning World was a shade on the timid side. I believe I said, “The World on numerous occasions has been able to take two, three, or even four different stands with precisely the same material in hand. So constant were the shifts during the Sacco-Vanzetti case that the paper seemed like an old car going up a hill.”

Naturally I didn’t expect the editors to like it but after all The Nation isn’t so big and umbrage wasn’t in the scope of my vision. Blithely on the way home I bought a morning paper but I only looked at the sport page. Arriving home I was asked as I came in the door whether or not I had read The World. “Sure,” I replied, “Yankees win, Giants win, Dodgers lose.” Those were the old, old Giants.

“But have you seen your own page?” my wife persisted.

“I’m saving that up for later,” I told her.

“You needn’t,” she said, “you’re fired.”

And so I was. There in my old spot was a box explaining that Mr. Broun had been dropped on account of disloyalty. I did object to the word a little because the casual reader would hardly know whether I had robbed the till or sat on the editor’s hat.

Still it was Summer and I was full of energy and I went around opening my shirt to show my scars and having a fine time in general. And presently I got a job with Scripps-Howard which lasted eleven years. This ran out in the Winter.

Since Nutmeg is a publication which belongs to what the Parisians wittily call “Le Presse Confidentiale,” or French to that effect, I think I may reveal that the farewell conference with Roy W. Howard passed off in entire peace and amity.

He said, “I’ve talked it over with my associates and we’ve decided not to make you an offer. It would be just too much grief. The price of newsprint is going up and we think the place to cut expenses is among the high price specialists in order to protect the run of the mine reporter.”

“Roy,” I said (all Scripps Howard executives are known by the first name even to the humblest employee), “I can’t possibly make any squawk about that because I’ve made that same speech myself at dozens of Guild meetings.”

And so we shook hands and had a drink and everything was very pleasant. But I still think it is better to be fired in the Summer.

For more about Heywood Broun and his newspaper career, be sure to get a copy of The Algonquin Round Table New York, A Historical Guide (Globe Pequot Press).

Walking Tour

Walking Tours Schedule for 2025Walking Tours Schedule for 2025

The Algonquin Round Table comes alive in the only New York walking tour devoted to the famed literary group. It met from 1919-1929 and is America’s most well-known group of writers.

Walk in the footsteps of the legendary wits Franklin P. Adams, Robert Benchley, Heywood Broun, Marc Connelly, Edna Ferber, George S. Kaufman, Harpo Marx, Dorothy Parker, Harold Ross, Robert Sherwood, Alexander Woollcott, and the rest of the “Vicious Circle.” The tour explores the architectural and historical stories of the buildings and landmarks linked to them.

The tour begins and ends inside the world-famous Algonquin Hotel, a national literary landmark. This 2-hour tour encompasses twenty blocks to explore notable locations, inside and out. Be ready!

The schedule is here.

Walking Tour