Algonquin Round Table History,News Frank Sullivan of Saratoga Springs

Frank Sullivan of Saratoga Springs

Frank Sullivan Place

Frank Sullivan Home, Saratoga Springs

Frank Sullivan Home, Saratoga Springs


After the demise of the New York World in 1931, Algonquin Round Table member Frank Sullivan moved home to Saratoga Springs and became the ultimate freelancer. In a small clapboard house shared with his sister at 135 Lincoln Avenue, he turned out marvelous humor pieces for the rest of his career. “Once I visited New York for twenty years but I wouldn’t live there if you gave me Philadelphia,” he wrote. “A small town is the place to live. I live in a small town 180 miles from New York and while I would not say it has New York beat by a mile I would put the distance at six furlongs.”

Over the years, New Yorkers such as Harold Ross and Marc Connelly visited Sullivan, who took them to the racetrack, two blocks from his house, which treated him like royalty. He picked up the nickname “The Sage of Saratoga” and worked until his early eighties. He wrote for The New Yorker for fifty years as well as the Times sports section, the Saturday Evening Post, and Town & Country, his work collected in half a dozen books.

Sullivan suffered a series of falls in his home, and his health deteriorated. He died in Saratoga Hospital on February 19, 1976, at age 83. He is buried in the family plot St. Peter’s Cemetery in Saratoga Springs.

Frank Sullivan Place

Frank Sullivan Place

Today he is immortalized with a street sign nearby the racetrack, Frank Sullivan Place. His house was named a literary landmark, and is privately owned.

Adapted from The Algonquin Round Table New York, A Historical Guide (Globe Pequot Press) available here.

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Al Hirschfeld Illustration

The Round Table Centennial SummerThe Round Table Centennial Summer

The Algonquin Hotel is not going to let the centennial of the first luncheon of the Algonquin Round Table pass without notice. The national literary landmark has planned an entire summer of events to celebrate the Vicious Circle, which began as a welcome home roast for critic Alexander Woollcott in June 1919.

To mark the occasion, the hotel is having a special $19.99 lunch menu every day until Labor Day, live music on Thursdays and Saturday nights, and a poet in residence in the lobby on Fridays. You can also attend, and participate in open mic poetry readings. The full hotel schedule is here. There will be weekly history walking tours at 3:00 p.m. on Wednesdays, meeting in the lobby, the schedule and advance ticket link is here.

The hotel is hosting five evening curated dinners on Wednesday nights at 6:00 p.m. in June and July. Each week a different New York expert will be featured that is in keeping in the spirit of the Algonquin Round Table and its members. Book your spot in advance on Open Table for cocktails and dinner, noting the night you wish to attend.

Wednesday Night Schedule for the Round Table Room Restaurant
6:00 p.m. cocktails at the Round Table
6:30 p.m. seat for dinner
7:30-8:00 p.m. dessert and Round Table talk.
Guests must have dinner reservations. Reserve your seat in the Round Table Room here (note the date & time at 6:00).

These experts are in the spirit of the Vicious Circle and will be talking about topics in the vein of the legendary members of New York’s most famous group of friends. Come for cocktails and dinner and enjoy a look at the worlds of current New York City through writing, music, comedy, and the most-beloved pastime of the group: high-stakes poker.

Laurie Gwen Shapiro

June 12
Laurie Gwen Shapiro – Writing

Laurie Gwen Shapiro is a native of New York City’s Lower East Side. She has most recently written articles for publications including The New Yorker, New York Magazine, The Daily Beast, Lapham’s Quarterly, Slate, Aeon, Los Angeles Review of Books, and has her own history column focusing on unsung heroes for The Forward. Laurie is also a documentary filmmaker who won an Independent Spirit Award for directing IFC’s Keep the River On Your Right: A Modern Cannibal Tale and an Emmy nomination for producing HBO’s Finishing Heaven. The Stowaway is her first non-fiction book. It’s the spectacular, true story of a scrappy teenager from the Lower East Side who stowed away on the Roaring Twenties’ most remarkable feat of science and daring: an expedition to Antarctica.

Book your spot in advance here.

Michael Cumella

June 19
Michael Cumella – Music

Creator of the “Gramophone DJ” concept, Phonograph DJ Michael Cumella brings two 1905 disc phonographs and plays 78’s circa 1900-1929 for an engaging musical experience. The music ranges from ragtime to dance bands, instrumentalists to songsters. Visually fascinating and very entertaining, the presentation creates a wonderful atmospheric ambiance. As host of WFMU Radio’s Antique Phonograph Music Program since 1995, he is a leading expert on this period of culture and music. Michael will bring to the hotel a vintage phonograph and play original music from 1919.

Book your spot in advance here.

Noah Diamond

June 26
Noah Diamond – comedy

The #1 source for comedy knowledge of the Algonquin Round Table era is Noah Diamond, a writer, performer, producer, and raconteur. He’s the award-winning creator of the off-Broadway Marx Brothers revival I’ll Say She Is and has written and lectured extensively about the Brothers and their work, including a multimedia comedy lecture. This fall his brand-new show 400 Years in Manhattan will debut at the United Solo Theatre Festival in Manhattan on Theatre Row.

Book your spot in advance here.

Kevin Fitzpatrick

July 10
Kevin C. Fitzpatrick – history

The author of 8 non-fiction books tied to NYC history, including The Algonquin Round Table New York: A Historical Guide and Under the Table: The Dorothy Parker Cocktail GuideKevin C. Fitzpatrick started the Dorothy Parker Society 20 years ago. He has been leading walking tours of the Vicious Circle haunts and hangouts since 1999. His talk will be about the women of the Round Table. So many know of Parker and Edna Ferber, but not many can recall Jane Grant, Margalo Gillmore, Ruth Hale, Neysa McMein, Beatrice Kaufman, or Peggy Wood.

Book your spot in advance here.

joanna holliday

July 17
Joanna Holliday – poker

The World Series of Poker is the biggest gambling event of the year in the United States. Joanna Holliday is a professional poker player and has competed numerous times in big stakes tournaments across the country. She’s also a wit, fast-talker, and podcaster. For 25 years she’s been slinging drinks at Doc Holliday’s in the East Village. Since the majority of the Round Table were addicted to cards, she’s going to be talking about how to play poker and win, as well as what it takes to maintain your balance and wellness in such a stressful competition.

Book your spot in advance here.

The Algonquin is also offering special room packages, so why not spent a few nights in the most famous hotel in the city? Click here for more information. The events go all summer, and there will be more events in the fall as well. If you have any questions, contact us.
Marie Carroll, Robert Williams, Harry Bradley, Alfred White, John Cope and Howard Lang in scene from Abie's Irish Rose. Credit: Billy Rose Theatre Division, The New York Public Library.

Centennial of Abie’s Irish RoseCentennial of Abie’s Irish Rose

Marie Carroll, Robert Williams, Harry Bradley, Alfred White, John Cope and Howard Lang in scene from Abie's Irish Rose. Credit: Billy Rose Theatre Division, The New York Public Library.

Marie Carroll, Robert Williams, Harry Bradley, Alfred White, John Cope and Howard Lang in scene from Abie’s Irish Rose. Credit: Billy Rose Theatre Division, The New York Public Library.


Today the New York Times published a very thorough and detailed account of the centennial of Abie’s Irish Rose, a hit show 100 years ago that the Algonquin Round Table by turns roasted and scorned. The article quotes Robert Benchley and Alexander Woollcott, with a passing reference to another Vicious Circle member, Harpo Marx.

Opening a few days after St. Patrick’s Day 1922, Abie’s Irish Rose was the miracle show of the decade. Despite withering reviews and serving as the butt of jokes all over town, it ran for 2,327 performances—five years and five months. Anne Nichols wrote the unpretentious comedy allegedly based on a real-life story of a mixed-marriage she heard about. In her story, young Abraham Levy brings home from the war his blushing bride, Rosemary Murphy, a girl he met in France while she was entertaining the doughboys. But knowing how his family would take the news, he introduced her to his parents as Rosie Murpheyski. In the next act the Murphy clan comes over for a visit, and hilarity ensues.

The show appealed to audiences everywhere; at one time six road companies were touring the United States and others were in England and Australia. The playwright raked in more than $6 million and eventually had to cut down on the road companies because the income taxes were crushing her. All the major critics blasted the show, with the exception of Alexander Woollcott. One standout, and long-suffering, reviewer was Robert Benchley. He had to compose a few lines each week for a capsule review in Life. Among his finest gems were, “People laugh at this every night, which explains why democracy can never be a success,” and “Where do the people come from who keep this one going? You don’t see them on the streets in the daytime.”

Dorothy Parker, who is not included in the article, was working for Ainslee’s at the time. She lumped it in with another play of a similar type. In September 1922, she wrote, “And then there came, in quick succession, The Rotters and Abie’s Irish Rose. Despite its having one night’s start on its opponent, The Rotters was defeated by Abie’s Irish Rose for the distinction of being the season’s worst play.”

As the Times points out, no modern theater company is currently interested in a revival of Abie’s Irish Rose. Which may be a good thing.

The Dorothy Parker reviews from the era are collected in Dorothy Parker Complete Broadway, 1918-1923.

Marxfest 4

Lineup for Marx Brothers Festival AnnouncedLineup for Marx Brothers Festival Announced

The Marx Brothers Festival Marxfest returns in May in time to celebrate the centennial of their first Broadway hit, I’ll Say She Is. There will be activities over May 17-19 in Manhattan and May 24-26 in Coney Island. Tickets go on sale April 2.

The lineup of events was revealed this week for what is the nation’s biggest and most complete celebration of the Marx Brothers. It follows ten years after the 2014 Marxfest by the same organizers.

Participants include Tony and Emmy nominee Robert Klein, The New Yorker staff writer Adam Gopnik, Marx Brothers biographer Robert S. Bader, New York Times comedy columnist Jason Zinoman, performer and director Frank Ferrante, revivalist Noah Diamond, author of “The Marx Brothers Miscellany” Trav S.D., and Groucho’s grandson, Andy Marx.

“This edition of Marxfest features more than twenty events, headlined by Marx Brothers experts, celebrated authors and journalists, and showbiz legends,” Diamond said. “It’s been a hundred years since the Brothers made their Broadway debut, but their influence on the culture of New York City goes on and on.”

Trav S.D. opined, “The greatest convocation of dyed-in-the-wool Marx Brothers lovers since the Jazz Age — and with more bearded professors than Horse Feathers!”

Marxfest 1
Programming for May 17 includes “Out of Line: Al Hirschfeld Draws the Marxes & Friends” presented by Katherine Eastman the Al Hirschfeld Foundation archives manager, Adam Gopnik on the relationship between Groucho and S.J. Perelman, and “Unheard Marx Brothers” audio rarities by archivist John Tefteller. The Party of the First Part, which features music by Josh Max, will close out the opening day celebrations.

Marxfest 2On May 18, events will include “Saturday Morning Cartoons,” an animated look at the Marxes; Trav S.D.’s salon “The Marx Bros: Vaudeville, Silent Film & Broadway;” “You Brett Your Life, a Marx trivia hour hosted by Brett Leveridge;” The Marx Brothers on Broadway Walking Tour with Noah Diamond; and “The Herring Barrel Revue” cabaret.

Marxfest 3May 19 programming includes Robert Bader’s overview of the Marx Brother’s 1914-15 tour in “Home Again;” a conversation between Jason Zinoman and Robert Klein; a look at I’ll Say She Is with Noah Diamond; and a screening of the 1933 film Duck Soup followed by a talk with Adam Gopnik and Noah Diamond at the landmark United Palace Theatre in Washington Heights.

On May 20, Vince Giordano & The Nighthawks will present “A Night of Marx Brothers Era Music” at Birdland.

Marxfest 4From May 24-26, the festival will continue programming on Coney Island. Events will include “An Evening with Marx & Ferrante” (Andy Marx and Frank Ferrante); a burlesque tribute to the Marx Brothers by Jonny Porkpie titled “A Day on the Boardwalk, A Night at the Stripshow;” Robert Farr’s “The Wisecracks Around Here Were Not Appreciated” at the Coney Island Museum; astrologer Kathy Biehl’s “Marxes in the Stars: The Astrology of The Brothers & Their Mother;” Trav S.D.’s “The Marx Brothers, Coney Island, and Sideshow;” a celebration of Harpo Marx’s artistry, and more.

Visit Marxfest.org for more information or to purchase tickets, which go on sale April 2.