After the demise of the New York World in 1931, Algonquin Round Table member Frank Sullivan moved home to Saratoga Springs and became the ultimate freelancer. In a small clapboard house shared with his sister at 135 Lincoln Avenue, he turned out marvelous humor pieces for the rest of his career. “Once I visited New York for twenty years but I wouldn’t live there if you gave me Philadelphia,” he wrote. “A small town is the place to live. I live in a small town 180 miles from New York and while I would not say it has New York beat by a mile I would put the distance at six furlongs.”
Over the years, New Yorkers such as Harold Ross and Marc Connelly visited Sullivan, who took them to the racetrack, two blocks from his house, which treated him like royalty. He picked up the nickname “The Sage of Saratoga” and worked until his early eighties. He wrote for The New Yorker for fifty years as well as the Times sports section, the Saturday Evening Post, and Town & Country, his work collected in half a dozen books.
Sullivan suffered a series of falls in his home, and his health deteriorated. He died in Saratoga Hospital on February 19, 1976, at age 83. He is buried in the family plot St. Peter’s Cemetery in Saratoga Springs.
Frank Sullivan Place
Today he is immortalized with a street sign nearby the racetrack, Frank Sullivan Place. His house was named a literary landmark, and is privately owned.
Adapted from The Algonquin Round Table New York, A Historical Guide (Globe Pequot Press) available here.
Marie Carroll, Robert Williams, Harry Bradley, Alfred White, John Cope and Howard Lang in scene from Abie’s Irish Rose. Credit: Billy Rose Theatre Division, The New York Public Library.
Today the New York Times published a very thorough and detailed account of the centennial of Abie’s Irish Rose, a hit show 100 years ago that the Algonquin Round Table by turns roasted and scorned. The article quotes Robert Benchley and Alexander Woollcott, with a passing reference to another Vicious Circle member, Harpo Marx.
Opening a few days after St. Patrick’s Day 1922, Abie’s Irish Rose was the miracle show of the decade. Despite withering reviews and serving as the butt of jokes all over town, it ran for 2,327 performances—five years and five months. Anne Nichols wrote the unpretentious comedy allegedly based on a real-life story of a mixed-marriage she heard about. In her story, young Abraham Levy brings home from the war his blushing bride, Rosemary Murphy, a girl he met in France while she was entertaining the doughboys. But knowing how his family would take the news, he introduced her to his parents as Rosie Murpheyski. In the next act the Murphy clan comes over for a visit, and hilarity ensues.
The show appealed to audiences everywhere; at one time six road companies were touring the United States and others were in England and Australia. The playwright raked in more than $6 million and eventually had to cut down on the road companies because the income taxes were crushing her. All the major critics blasted the show, with the exception of Alexander Woollcott. One standout, and long-suffering, reviewer was Robert Benchley. He had to compose a few lines each week for a capsule review in Life. Among his finest gems were, “People laugh at this every night, which explains why democracy can never be a success,” and “Where do the people come from who keep this one going? You don’t see them on the streets in the daytime.”
Dorothy Parker, who is not included in the article, was working for Ainslee’s at the time. She lumped it in with another play of a similar type. In September 1922, she wrote, “And then there came, in quick succession, The Rotters and Abie’s Irish Rose. Despite its having one night’s start on its opponent, The Rotters was defeated by Abie’s Irish Rose for the distinction of being the season’s worst play.”
As the Times points out, no modern theater company is currently interested in a revival of Abie’s Irish Rose. Which may be a good thing.
For the centennial of the first meeting of the Algonquin Round Table, author Kevin C. Fitzpatrick presented a brief talk at the Algonquin Hotel. He presented the women of the Vicious Circle–the ones not named Dorothy Parker and Edna Ferber. In this talk, learn about Jane Grant, who co-founded The New Yorker; Ruth Hale, who fought to preserve her maiden name after marriage; Neysa McMein, the popular magazine illustrator & artist; Beatrice Kaufman, the editor not ashamed of her husband’s cheating; Margaret Leech, the 2-time Pulitzer Prize winner; and the popular actresses Margalo Gillmore and Peggy Wood, both of whom were onstage for 50 years. Thank you Michele Gouveia for filming this.
I found Frank Case. I wasn’t even looking for him. I was in Oakland Cemetery in Sag Harbor, Long Island, for the first time. I was actually looking for a Doughboy for our WWI Homecoming 21 project. As I was walking along the line of graves, since I didn’t know the location, I was peering at each one as quickly as possible. At the corner of the cemetery, in the corner of my eye, was a lone mausoleum. There are not that many in Oakland, just a few, it is not Woodlawn. As I stepped closer I saw the name across the top: CASE.
I was so happy to see this. Here was the general manager and owner of the Algonquin Hotel.
I had known for many years that Case (1871-1946) had a second home in Sag Harbor. He wrote about the home in his books, as did his only daughter, Margaret Case Harriman. While Case was the most famous hotelier in America at one time, I never knew where he ended up after his death in Manhattan. I assumed, wrongly, that he had gone home to Buffalo, New York, his hometown, and where his first wife, Carrie Case, was buried in 1908 after she tragically died in the Algonquin Hotel following the birth of their son, Carrol.
Frank and Bertha Case
One thing I learned a long time ago was to never trust the Internet. When I was researching my book The Algonquin Round Table New York: A Historical Guide (2015) I was on a mission to track down the final resting places of the Vicious Circle. I did locate almost all 30 of them, but there are a few that still escape me (where are you Jane Grant and Robert E. Sherwood?). But I found many inaccuracies and misinformation. I made a pass at looking for Case; one lead was he was buried in Woodlawn, which was wrong. Many obituaries list New Yorker’s would hold their memorials in Woodlawn, then the remains sent away to other towns for burial. What I suspect is after his death, which was just four months after his second wife, Bertha, his family brought Bertha and Frank to the receiving vaults of Woodlawn. Here they remained temporarily while the mausoleum was constructed in Sag Harbor. I guess if I had 10 hours of free time I could check the records of both cemeteries, so perhaps if someone reading this wants to hire me for a paid assignment I will do that.
I like finding this mausoleum and closing the circle on Frank Case, who was by all accounts beloved by friends and staff (but was anti-union). He was also, like me, a member of The Lambs (the clubhouse was 2 minutes away west on Forty-fourth Street, and many of the actors who were members also lived at the hotel, such as John Drew and nephew John Barrymore).
One story told in the obituary of Bertha Case is about Sag Harbor. Bertha was a housekeeper at the Algonquin, which is how she met Frank. During WWI she volunteered and went to France with the YMCA as a volunteer, and was friends with superstar Elsie Janis (also an Algonquin regular). She and Frank were married for 30 years. What Bertha did was use the flower gardens at the Sag Harbor house to provide floral arrangements for the hotel–which she oversaw. Sag Harbor is also where the Case family entertained friends, such as Robert Benchley.
If you are in Sag Harbor and the South Fork of Long Island, pay a visit to Frank and Bertha Case.
