Lineup for Marx Brothers Festival Announced

March 19, 2024| Kevin Fitzpatrick| 0 Comment | 12:50 pm

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The Marx Brothers Festival Marxfest returns in May in time to celebrate the centennial of their first Broadway hit, I’ll Say She Is. There will be activities over May 17-19 in Manhattan and May 24-26 in Coney Island. Tickets go on sale April 2.

The lineup of events was revealed this week for what is the nation’s biggest and most complete celebration of the Marx Brothers. It follows ten years after the 2014 Marxfest by the same organizers.

Participants include Tony and Emmy nominee Robert Klein, The New Yorker staff writer Adam Gopnik, Marx Brothers biographer Robert S. Bader, New York Times comedy columnist Jason Zinoman, performer and director Frank Ferrante, revivalist Noah Diamond, author of “The Marx Brothers Miscellany” Trav S.D., and Groucho’s grandson, Andy Marx.

“This edition of Marxfest features more than twenty events, headlined by Marx Brothers experts, celebrated authors and journalists, and showbiz legends,” Diamond said. “It’s been a hundred years since the Brothers made their Broadway debut, but their influence on the culture of New York City goes on and on.”

Trav S.D. opined, “The greatest convocation of dyed-in-the-wool Marx Brothers lovers since the Jazz Age — and with more bearded professors than Horse Feathers!”

Programming for May 17 includes “Out of Line: Al Hirschfeld Draws the Marxes & Friends” presented by Katherine Eastman the Al Hirschfeld Foundation archives manager, Adam Gopnik on the relationship between Groucho and S.J. Perelman, and “Unheard Marx Brothers” audio rarities by archivist John Tefteller. The Party of the First Part, which features music by Josh Max, will close out the opening day celebrations.

On May 18, events will include “Saturday Morning Cartoons,” an animated look at the Marxes; Trav S.D.’s salon “The Marx Bros: Vaudeville, Silent Film & Broadway;” “You Brett Your Life, a Marx trivia hour hosted by Brett Leveridge;” The Marx Brothers on Broadway Walking Tour with Noah Diamond; and “The Herring Barrel Revue” cabaret.

May 19 programming includes Robert Bader’s overview of the Marx Brother’s 1914-15 tour in “Home Again;” a conversation between Jason Zinoman and Robert Klein; a look at I’ll Say She Is with Noah Diamond; and a screening of the 1933 film Duck Soup followed by a talk with Adam Gopnik and Noah Diamond at the landmark United Palace Theatre in Washington Heights.

On May 20, Vince Giordano & The Nighthawks will present “A Night of Marx Brothers Era Music” at Birdland.

From May 24-26, the festival will continue programming on Coney Island. Events will include “An Evening with Marx & Ferrante” (Andy Marx and Frank Ferrante); a burlesque tribute to the Marx Brothers by Jonny Porkpie titled “A Day on the Boardwalk, A Night at the Stripshow;” Robert Farr’s “The Wisecracks Around Here Were Not Appreciated” at the Coney Island Museum; astrologer Kathy Biehl’s “Marxes in the Stars: The Astrology of The Brothers & Their Mother;” Trav S.D.’s “The Marx Brothers, Coney Island, and Sideshow;” a celebration of Harpo Marx’s artistry, and more.

Visit Marxfest.org for more information or to purchase tickets, which go on sale April 2.

Marx Brothers Festival Returns in May 2024Marx Brothers Festival Returns in May 2024

February 22, 2024| Kevin Fitzpatrick| 0 Comment | 3:18 pm

It is exciting to announce that the Marx Brothers Festival is returning in May 2024 exactly ten years after the first successful Marxfest in New York. This week, the Marxfest committee announced the festival dates (May 17-19 and May 24-26), and revealed the names of just three of the many great events being planned:

ROBERT KLEIN REMEMBERS: The comedy legend on the Marx Brothers and their influence, in conversation with Jason Zinoman of The New York Times.

UNHEARD MARX BROTHERS: Audio Rarities with collector extraordinaire John Tefteller.

THE THRILL OF I’LL SAY SHE IS: The ultimate centennial experience.

There will be two weekends of Marx entertainment, May 17-19 in Manhattan and May 24-26 in Coney Island. The full calendar of events and ticket sales have not been announced yet. Currently a crowdfunding campaign is underway, and this supports the festival operations and expenses.

Noah Diamond of the committee wrote, “Donate to our crowdfunding campaign. Of course, this is another dreamy, fan-driven project with limitless reserves of nerve, moxie, pluck, vim, and vigor, but other resources are in shorter supply. We’re reliant on donations from fellow Marx Brothers fanatics to help defray expenses like space rentals, printing, equipment, and administration. You will not be surprised to hear that there are fabulous donor rewards described on our crowdfunding page — or that through our fiscal sponsor, Fractured Atlas, donations are tax-deductible to the fullest extent permitted by law!”

Noah sent us a fantastic tie of the Marx Brothers to the Algonquin Round Table. Harpo Marx was a member, and he was close friends with Dorothy Parker and Alexander Woollcott. Noah dug up the 1924 Robert Benchley review from Life, following the Broadway debut of the Marx Brothers:

We are happy to announce that the laughing apparatus of this department, long suspected of being out-of-date and useless, is in perfect running order, and can be heard any evening at the Casino Theatre during those magnificent moments when the Marx Brothers are participating in “I’ll Say She Is.” Not since sin laid it’s heavy hand on our spirit have we laughed so loud and so offensively. And as we picked ourself out of the aisle following each convulsion, there rang through our soul the joyful paean: “Grandpa can laugh again! Grandpa can laugh again!”

“I’ll Say She Is” is probably one of the worst revues ever staged, from the point of view of artistic merit and general deportment. And yet when the Marx Brothers appear, it becomes one of the best. Certainly we have never enjoyed one so thoroughly since the lamented Cohan Revues, and we will go before any court and swear that two of the four Marxes are two of the funniest men in the world.

We may be doing them a disservice by boiling over about them like this, but we can’t help it if we feel it, can we? Certainly the nifties of Mr. Julius Marx will bear the most captious examination, and even if one in ten is found to be phony, the other nine are worth the slight wince involved at the bad one. It is certainly worth hearing him, as Napoleon, refer ti the “Marseillaise” as the “mayonnaise,” if the next second, he will tell Josephine that she is as true as a three dollar cornet. The cornet line is one of the more rational of the assortment. Many of them are quite mad, and consequently much funnier to hear but impossible to retell.

There is no winching possible at the pantomime of Mr., Arthur Marx. It is 110 proof artistry. To watch him during the deluge of knives and forks from his coat-sleeve, or in the poker game (where he wets one thumb and picks the card off with the other), or—oh, well, at any moment during the show is to feel a glow at being alive in the same generation. We hate to be like this, for it is inevitable that we are prejudicing readers against the Marx boys by our enthusiasm, but there must be thousands of you who have seen them in vaudeville (where almost everything that is funny on our legitimate stage seems originate) and who know that we are right.

Do not miss this absolutely fun program of events around New York, all times to the centennial of “I’ll Say She Is.”

Sergeant Woollcott’s 1919 Postcard from FranceSergeant Woollcott’s 1919 Postcard from France

December 30, 2023| Kevin Fitzpatrick| 0 Comment | 10:28 am

The legends of the Algonquin Round Table trace their roots not to Manhattan but to places such as the Chateau De Pierrefonds. Never heard of it? The Round Table was born in World War I. Half of the 30 members were in France in uniform, or else as civilians working as volunteers or journalists. A postcard that was included in the Franklin P. Adams Archive from 1919 is one part of this legacy.

It is widely known that Capt. Adams, Pvt. Harold Ross, and Sgt. Alexander Woollcott were all members of The Stars and Stripes, the Army newspaper written and edited by Doughboys, for the Doughboys, at the behest of Gen. John J. Pershing. The trio formed a long friendship that would continue after the war.

When the Armistice was declared on Nov. 11, 1918, Adams was already back in New York. He served 196 days overseas and then returned home, arriving in New York on September 8, 1918, and honorably discharged December 3. But Ross and Woollcott remained behind, running the last issues of the newspaper and enjoying their time overseas. When the U.S. military was shipping home hundreds of thousands of men and women in uniform from France to go home, Ross and Woollcott were not on the packed troopships, jammed in with hordes of men who needed a bath. After wrapping up their Army careers, they took their discharges in France and took a civilian ocean liner home after a nice Spring vacation with a cruise around the Mediterranean. They didn’t get back to New York Harbor for several weeks.

Meanwhile, F.P.A. was back at work at the New York Tribune on Park Row. He continued to receive cards and letters from his friends stationed in France. Woollcott sent him a Christmas card of a fat Santa Aleck trying to get down a chimney. In March, a postcard arrived. Woollcott was touring battlefields with Pvt. C. LeRoy Baldridge, the staff illustrator on Stars and Stripes, who would later go on to publish a book of his Army art with Woollcott’s help.

The pair were doing what so many other Doughboys were doing, seeing the battlefields and no doubt collecting souvenirs. The soldiers found themselves at Chateau De Pierrefonds, in the Oise department in the Hauts-de-France region of Northern France. This was where fierce fighting had just occurred mere months before. Woollcott was right where today is the stunning and beautiful Oise-Aisne American Cemetery and Memorial which contains the graves of 6,013 American soldiers who died in battle.

A cheeky Woollcott sent this to F.P.A. on March 2, 1919:

Baldridge and I are out cruising around the battlefields and having a whale of a time. Pvt. Ross, our boss, says we must be back Tuesday but to hell with him. This little shack was infected with Americans all Summer.
A. Woollcott
[Underneath the Passed as Censored stamp is the name Stephen T. Early, who was an officer who worked in the office with the men, and went on to work for FDR.]

Shortly after this postcard was mailed, the men all lined up to be discharged. “The day after Sgt. Woollcott was demobilized he met General Pershing. “He’s a civilian now,” said Lieutenant Early, who introduced Woollcott to the C. in C. “He looks like a soldier to me,” said the General. “In Sgt. Woollcott’s twenty-two months in the Army, it was the first time anybody had said anything of the kind to him.”

Three months later, on a warm day in June, the Algonquin Round Table met for the first time in the Pergola Room on the Hotel Algonquin. Woollcott later presented a soldier’s portrait of himself–drawn by Baldridge–to Adams and Ross.

For more stories about the Algonquin Round Table, pick up a copy of The Algonquin Round Table New York, A Historical Guide</em> (Lyons Press), available wherever you buy books.

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Algonquin Hotel Gut Renovation Moves Bar, Reconfigures LobbyAlgonquin Hotel Gut Renovation Moves Bar, Reconfigures Lobby

August 21, 2020August 21, 2020| Kevin FitzpatrickKevin Fitzpatrick| 0 Comment | 3:50 pm

Former location of the Blue Bar and Oak Room.

In the most extensive renovation in many decades, the Algonquin Hotel is underway with a major overhaul that has removed the bar, restaurant, front desk, and ceiling. The Round Table is gone, and so is the perch that Hamlet had in the window on Forty-fourth Street.

East side of hotel, where front desk was located.

The hotel, opened in 1902, has removed the Blue Bar completely. Visible from the sidewalk, the ceilings are open and the floors are down to bare concrete. On the east side of the building, the front desk and the areas around it are wide open. The Round Table Room, at the back of the property, is under wraps. Little is visible from the street of the details.

It is currently not open to the public; the owners are using the pandemic to overhaul the property. In April the Algonquin was housing healthcare professionals.

The Algonquin was last renovated in 2012, in an overhaul that saw the Blue Bar expanded and the Oak Room reduced in size. That work maintained the distinctive qualities that dated to the 1998 renovation overseen by Alexandra Champalimaud. That had followed the $20 million mechanical renovation in 1991 ($38 million today) by the Aoki Corporation; that was when the tiny Blue Bar moved across the lobby.

Front entrance, closed to public.
While the Algonquin Hotel has city landmark status, it only applies to the exterior, not to the interior.

I have reached out to Marriott to inquire about a visit and look at the plans. An update could be coming soon.

These photos were taken on August 21, 2020. For the history of the Algonquin Hotel, buy the book.

West side of Blue Bar and Oak Room.

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Lineup for Marx Brothers Festival Announced

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