Algonquin Round Table Events,News Marx Brothers Festival Returns in May 2024

Marx Brothers Festival Returns in May 2024

Marxfest

It is exciting to announce that the Marx Brothers Festival is returning in May 2024 exactly ten years after the first successful Marxfest in New York. This week, the Marxfest committee announced the festival dates (May 17-19 and May 24-26), and revealed the names of just three of the many great events being planned:

ROBERT KLEIN REMEMBERS: The comedy legend on the Marx Brothers and their influence, in conversation with Jason Zinoman of The New York Times.

UNHEARD MARX BROTHERS: Audio Rarities with collector extraordinaire John Tefteller.

THE THRILL OF I’LL SAY SHE IS: The ultimate centennial experience.

MarxfestThere will be two weekends of Marx entertainment, May 17-19 in Manhattan and May 24-26 in Coney Island. The full calendar of events and ticket sales have not been announced yet. Currently a crowdfunding campaign is underway, and this supports the festival operations and expenses.

Noah Diamond of the committee wrote, “Donate to our crowdfunding campaign. Of course, this is another dreamy, fan-driven project with limitless reserves of nerve, moxie, pluck, vim, and vigor, but other resources are in shorter supply. We’re reliant on donations from fellow Marx Brothers fanatics to help defray expenses like space rentals, printing, equipment, and administration. You will not be surprised to hear that there are fabulous donor rewards described on our crowdfunding page — or that through our fiscal sponsor, Fractured Atlas, donations are tax-deductible to the fullest extent permitted by law!”

Noah sent us a fantastic tie of the Marx Brothers to the Algonquin Round Table. Harpo Marx was a member, and he was close friends with Dorothy Parker and Alexander Woollcott. Noah dug up the 1924 Robert Benchley review from Life, following the Broadway debut of the Marx Brothers:

We are happy to announce that the laughing apparatus of this department, long suspected of being out-of-date and useless, is in perfect running order, and can be heard any evening at the Casino Theatre during those magnificent moments when the Marx Brothers are participating in “I’ll Say She Is.” Not since sin laid it’s heavy hand on our spirit have we laughed so loud and so offensively. And as we picked ourself out of the aisle following each convulsion, there rang through our soul the joyful paean: “Grandpa can laugh again! Grandpa can laugh again!”

“I’ll Say She Is” is probably one of the worst revues ever staged, from the point of view of artistic merit and general deportment. And yet when the Marx Brothers appear, it becomes one of the best. Certainly we have never enjoyed one so thoroughly since the lamented Cohan Revues, and we will go before any court and swear that two of the four Marxes are two of the funniest men in the world.

We may be doing them a disservice by boiling over about them like this, but we can’t help it if we feel it, can we? Certainly the nifties of Mr. Julius Marx will bear the most captious examination, and even if one in ten is found to be phony, the other nine are worth the slight wince involved at the bad one. It is certainly worth hearing him, as Napoleon, refer ti the “Marseillaise” as the “mayonnaise,” if the next second, he will tell Josephine that she is as true as a three dollar cornet. The cornet line is one of the more rational of the assortment. Many of them are quite mad, and consequently much funnier to hear but impossible to retell.

There is no winching possible at the pantomime of Mr., Arthur Marx. It is 110 proof artistry. To watch him during the deluge of knives and forks from his coat-sleeve, or in the poker game (where he wets one thumb and picks the card off with the other), or—oh, well, at any moment during the show is to feel a glow at being alive in the same generation. We hate to be like this, for it is inevitable that we are prejudicing readers against the Marx boys by our enthusiasm, but there must be thousands of you who have seen them in vaudeville (where almost everything that is funny on our legitimate stage seems originate) and who know that we are right.

Do not miss this absolutely fun program of events around New York, all times to the centennial of “I’ll Say She Is.”

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Marxfest 4

Lineup for Marx Brothers Festival AnnouncedLineup for Marx Brothers Festival Announced

The Marx Brothers Festival Marxfest returns in May in time to celebrate the centennial of their first Broadway hit, I’ll Say She Is. There will be activities over May 17-19 in Manhattan and May 24-26 in Coney Island. Tickets go on sale April 2.

The lineup of events was revealed this week for what is the nation’s biggest and most complete celebration of the Marx Brothers. It follows ten years after the 2014 Marxfest by the same organizers.

Participants include Tony and Emmy nominee Robert Klein, The New Yorker staff writer Adam Gopnik, Marx Brothers biographer Robert S. Bader, New York Times comedy columnist Jason Zinoman, performer and director Frank Ferrante, revivalist Noah Diamond, author of “The Marx Brothers Miscellany” Trav S.D., and Groucho’s grandson, Andy Marx.

“This edition of Marxfest features more than twenty events, headlined by Marx Brothers experts, celebrated authors and journalists, and showbiz legends,” Diamond said. “It’s been a hundred years since the Brothers made their Broadway debut, but their influence on the culture of New York City goes on and on.”

Trav S.D. opined, “The greatest convocation of dyed-in-the-wool Marx Brothers lovers since the Jazz Age — and with more bearded professors than Horse Feathers!”

Marxfest 1
Programming for May 17 includes “Out of Line: Al Hirschfeld Draws the Marxes & Friends” presented by Katherine Eastman the Al Hirschfeld Foundation archives manager, Adam Gopnik on the relationship between Groucho and S.J. Perelman, and “Unheard Marx Brothers” audio rarities by archivist John Tefteller. The Party of the First Part, which features music by Josh Max, will close out the opening day celebrations.

Marxfest 2On May 18, events will include “Saturday Morning Cartoons,” an animated look at the Marxes; Trav S.D.’s salon “The Marx Bros: Vaudeville, Silent Film & Broadway;” “You Brett Your Life, a Marx trivia hour hosted by Brett Leveridge;” The Marx Brothers on Broadway Walking Tour with Noah Diamond; and “The Herring Barrel Revue” cabaret.

Marxfest 3May 19 programming includes Robert Bader’s overview of the Marx Brother’s 1914-15 tour in “Home Again;” a conversation between Jason Zinoman and Robert Klein; a look at I’ll Say She Is with Noah Diamond; and a screening of the 1933 film Duck Soup followed by a talk with Adam Gopnik and Noah Diamond at the landmark United Palace Theatre in Washington Heights.

On May 20, Vince Giordano & The Nighthawks will present “A Night of Marx Brothers Era Music” at Birdland.

Marxfest 4From May 24-26, the festival will continue programming on Coney Island. Events will include “An Evening with Marx & Ferrante” (Andy Marx and Frank Ferrante); a burlesque tribute to the Marx Brothers by Jonny Porkpie titled “A Day on the Boardwalk, A Night at the Stripshow;” Robert Farr’s “The Wisecracks Around Here Were Not Appreciated” at the Coney Island Museum; astrologer Kathy Biehl’s “Marxes in the Stars: The Astrology of The Brothers & Their Mother;” Trav S.D.’s “The Marx Brothers, Coney Island, and Sideshow;” a celebration of Harpo Marx’s artistry, and more.

Visit Marxfest.org for more information or to purchase tickets, which go on sale April 2.

Jane Grant, reporter

6 Women You Didn’t Know Were Members of the Algonquin Round Table6 Women You Didn’t Know Were Members of the Algonquin Round Table

This article was written for the Huffington Post.

Dorothy Parker and Edna Ferber were the only women sitting at the Algonquin Round Table, correct? That’s what I thought before I started researching my new book The Algonquin Round Table New York: A Historical Guide. After all, these are the only females among the wits in most accounts, anecdotes, and cartoons. But I was delighted to uncover the names and stories of the other members of the Vicious Circle, women that had fascinating and full lives. Even though their names aren’t as common today as Parker and Ferber, the rich history and accomplishments they left behind are still relevant.

The Algonquin Hotel, 59 W. Forty-fourth Street, sits in the middle of “Club Row” a block west of Times Square. In June 1919, not long after he returned from serving in the army, Alexander Woollcott was treated to a free lunch here. Woollcott was the acerbic theater critic on the Times, and his hosts were two Broadway publicists, Murdock Pemberton and John Peter Toohey. The flacks struck out in interesting him in the playwright they were pitching —Eugene O’Neill of all people — but they did dream up the prank of holding a welcome home luncheon for Woollcott.

The men invited a colorful cast of characters from newspaper city rooms, magazine offices, and the Broadway milieu. As the legends hold, Parker, at the time a Vanity Fair staffer and freelance poet, and Ferber, novelist and short fiction dynamo, were popular members. But among the famous men — columnists Franklin P. Adams and Heywood Broun, composer Deems Taylor, playwrights Marc Connelly, George S. Kaufman, and Robert E. Sherwood, and humorist Robert Benchley — women were always in the midst.

Reading contemporary newspaper columns and sifting through recollections, at least 30 men and women were Round Table members. These half-dozen women are unique and deserve to be remembered, and that’s why they are in my book.

Margalo Gillmore

Margalo Gillmore, actress

Margalo Gillmore was the baby of the Vicious Circle, a Broadway actress barely out her teens when she joined the group for lunch. Her parents and grandparents were also actors, and she started onstage in high school. Growing up, her mother said that if she was working and needed to eat, to go where Ethel Barrymore and Gertrude Lawrence lived: The Algonquin. Gillmore appeared in early O’Neill dramas, including The Straw (1921) and racked up scores of credits. She worked in every medium, from silent pictures to live television. Her father, Frank Gillmore, was a founder of Actors Equity, and she earned one of the first union cards after the 1919 strike that shut down Broadway. She toured constantly and was a working actress for fifty years. In 1954, an audience of 65 million TV viewers saw her in Peter Pan as Mrs. Darling. In 1986 Gillmore was the last member of the Round Table to pass away. I was stunned to discover her gravestone, in Kensico Cemetery in Westchester County, has the Equity logo carved into it.

Jane Grant, reporter

Jane Grant, reporter

Jane Grant has slipped through the cracks as a pioneer feminist and a barrier-breaker in print media. With her first husband, Harold Ross, the two launched a “humorous weekly” in 1925 from their Hell’s Kitchen apartment, a fact long overlooked. In a 1945 letter, Ross wrote, “There would be no New Yorker today if it were not for her.” Grant pushed Ross to realize their dream, introduced him to the chief financial backer, and found some of the most famous names in the magazine’s history, such as Janet Flanner. Leaving out how Grant helped launch The New Yorker, she led a life like few others in the Jazz Age. She was the first female reporter in the city room at the Times. Grant interviewed Caruso and Chaplin, and was the first Times woman to visit China, Russia, and Nazi Germany. In addition, in 1921 she was a co-founder, with her close friend Ruth Hale, of the Lucy Stone League, a forerunner of the Women’s Liberation Movement. The group fought to allow women to maintain their maiden names after marriage. Grant wrote for more than 30 years. When she died in 1972, the Times buried her obituary on page forty-four.

Ruth Hale, feminist

Ruth Hale, feminist

Ruth Hale sued the U.S. State Department because she wanted a passport issued in her own name, not as the wife of her husband, Heywood Broun. She lost that fight but brought attention to the cause of the Lucy Stone League, an organization that came to define her. Hale was a writer, columnist, critic, and publicist in pre-World War I Manhattan. She and Broun went to Paris as war correspondents, then came back to New York and became one of the city’s most talked-about literary couples. From West Side apartments she directed efforts to support equal rights for women in the 1920s. Hale also ghostwrote for her more famous husband. Hale quit New York and retired to a farm in rural Connecticut, where she died alone.

Beatrice Kaufman, editor

Beatrice Kaufman, editor

Beatrice Kaufman was not a member of the Round Table because she was married to George S. Kaufman, the newspaperman turned successful playwright. The Vicious Circle didn’t tolerate wives very much, and Bea Kaufman carved her own life for herself as an editor, working under Carmel Snow at Harpers Bazaar. The Kaufmans had an open marriage, so in 1936 when George was mired in a national sex scandal with actress Mary Astor, Bea not only defended her husband, she was the one to move him to Bucks County to avoid the press. Bea was always the first to read his new work, and he leaned on her consistently. She was close friends with the Marx Brothers, Moss Hart, and the Gershwins. Kaufman parlayed her social standing into a job with Samuel Goldwyn as a movie script reader. Late in life she also tried writing plays, but none were successful. Perhaps Bea Kaufman’s best role was as her husband’s sounding board and guardian; following her 1945 death George wrote few hits.

Margaret Leech, double Pulitzer-winner

Margaret Leech, double Pulitzer-winner

Margaret Leech was a Vassar grad who started her career working for the Condé Nast magazines that were not named Vogue or Vanity Fair. She wrote articles and stories, and in her 30s had three romance novels published. With Heywood Broun she co-wrote a bestselling biography of New York’s anti-vice crusader, Anthony Comstock. Leech crafted short fiction for popular magazines, with her most famous, “Manicure,” set in the world of a nail salon, included in The Best Stories of 1929. The collection found Leech sharing company with Willa Cather. Her life took a dramatic turn in 1928 when she married the much-older and wealthy Ralph Pulitzer, scion of Joseph Pulitzer and the president-publisher of the World. Leech had children and travelled the world, and upon her husband’s death in 1939 she returned to writing. She became a serious presidential historian, and devoted the rest of her life to it. Reveille in Washington: 1860-1865 (1941) is considered a classic about the Civil War era. It was awarded the Pulitzer Prize for history. Eighteen years after she won her first Pulitzer Prize, Leech won her second, for In the Days of William McKinley published in 1959. She was the first woman to win the Pulitzer Prize in History, and is still the only woman to have won it twice in the category.

Peggy Wood, actress

Peggy Wood, actress

Peggy Wood had a calling to the acting profession that kept her working for sixty years. Born and raised in Bedford-Stuyvesant, Brooklyn, the daughter of a magazine editor, Wood made her Broadway debut in 1911 and worked until the 1970s. She appeared in early talkies with Will Rogers, and was a close confidant of Noël Coward. She was the original Ruth in the three-year Broadway run of Blithe Spirit. When Wood was starring in Coward’s Bitter Sweet, Harpo Marx visited her. “Why didn’t you tell me you were as good as this?” he asked her. “I’d have married you long ago!” When she wasn’t onstage, she was writing about it, for newspapers, books, and magazines. Wood married a fellow member of the Vicious Circle, poet John V. A. Weaver, in 1924. If Peggy Wood is remembered for anything almost forty years after her death, it’s that she co-starred in The Sound of Music in 1965 as Mother Abbess. She was nominated for an Oscar for best supporting actress.

FPA

Franklin P. Adams DayFranklin P. Adams Day

Today is the natal day of Franklin P. Adams, born on this day in 1881 in Chicago. During his days in New York City, he famously had joint birthday parties with his pal and poker-playing friend, George S. Kaufman (Nov. 16). There are many, many stories about FPA online and in The Lost Algonquin Round Table and The Algonquin Round Table New York: A Historical Guide. But there is news today, on his birthday.

FPA

Franklin P. Adams and his second wife, Esther Root, on their honeymoon, 1925.

Recently I was given the huge honor by the descendants of FPA to safeguard his papers and archives. Tony Adams, last surviving son of FPA and his second wife, Esther Root Adams, gave to me FPA documents, letters, photographs, and ephemera. I will be using some of that material for my next book, The Lost Algonquin Round Table 2, due out late next year. One thing about FPA, he saved everything. So on this birthday, raise a cocktail to FPA. He deserves to be remembered today and every day. Look for his books on eBay and in used book stores. He has been out of print since the 1960s, which is pretty sad to me. If you are a fan of FPA, drop me a line.

Also, be sure not to miss the post today from Trav SD about FPA.