Walk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & Wits

November 20, 2014| Kevin Fitzpatrick| 0 Comment | 9:00 am

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Algonquin Round Table New York: A Historical Guide (Lyons Press)

New York—Retrace the steps of the legendary wits that convened at the Algonquin Hotel in 1919 who called themselves the Vicious Circle. THE ALGONQUIN ROUND TABLE NEW YORK: A HISTORICAL GUIDE is the first book to fully explore the whole group and their world. It’s packed with photos and maps.

“That is the thing about New York,” wrote Dorothy Parker in 1928. “It is always a little more than you had hoped for. Each day, there, is so definitely a new day.”

Now you can journey back there, in time, to a grand city teeming with hidden speakeasies, luxurious Broadway playhouses, and dazzling skyscrapers. In these places, Parker and her cohorts in the Vicious Circle sharpened their wit, polished their writing, and captured the energy and elegance of the time. Robert Benchley, Parker’s best friend, became the first managing editor of Vanity Fair before Irving Berlin spotted him onstage in a Vicious Circle revue and helped launch his acting career. Edna Ferber, creator of bestselling melodramas, wrote the Pulitzer-winning So Big as well as Show Boat and Giant. Jane Grant pressed her first husband, Harold Ross, into starting The New Yorker. Herman Mankiewicz was a Times wage slave who soaked up the atmosphere, later pouring it into his screenplay for Citizen Kane. Parker wrote for Vanity Fair and Vogue before ascending the throne as queen of the Round Table, earning everlasting fame (but rather less fortune) for her award-winning short stories and unforgettable poems. These are a few of the thirty figures from backstage Broadway to newspaper city rooms in the book.

Explore their favorite salons and saloons, their homes and offices (most still standing), while learning about their colorful careers and private lives. Packed with archival photos, drawings, and other images—including never-before-published material—this illustrated historical guide includes current information on all locations. Use it to retrace the footsteps of the Algonquin Round Table, and you’ll discover that the golden age of Gotham still surrounds us.

About the Author
Kevin C. Fitzpatrick (author), president of the Dorothy Parker Society, is the author of Under the Table: A Dorothy Parker Cocktail Guide (Lyons Press). He has been leading walking tours from the Algonquin Hotel for 15 years. Visit him at fitzpatrickauthor.com.

Anthony Melchiorri (foreword) is the creator and host of Hotel Impossible on the Travel Channel. A former general manager of the Algonquin Hotel, he has twenty years experience at the top hotels in the industry.

To Pre-Order: The Algonquin Round Table New York: A Historical Guide, by Kevin C. Fitzpatrick, (Lyons Press January 2014; ISBN: 978-1-4930-0757-8)

Bedtime with the Algonquin Round TableBedtime with the Algonquin Round Table

March 27, 2020| Kevin Fitzpatrick| 0 Comment | 10:46 am

The Algonquin Round Table by Natalie Ascencious.

For those trapped indoors now there is relief coming from 1920: Weekly “Bedtime with the Algonquin Round Table” to be held on live video conference via Zoom, hosted by Kevin C. Fitzpatrick, author of The Algonquin Round Table New York: A Historical Guide and A Journey into Dorothy Parker’s New York.

The schedule will be 9:00 p.m. Eastern; check your time zone to watch live via the World Clock. The schedule is April 1, April 8, April 15, April 22, and April 29. The stream is free to watch but you must watch via Zoom.

Join Zoom Meeting Here
Meeting ID: 481 153 606
Password: 1920

Bedtime With The Algonquin Round Table

Each week we will hear about different members of the Algonquin Round Table, which began meeting in June 1919 at the Hotel Algonquin. There is a list of members here. You will find out about them, hear stories they wrote or worked on, and have a fun time as we take a deep dive into New York City history. You can participate in the live chat, ask questions, and engage with others if you wish. All events are pet friendly.

Each week you can get clues about who we will be hearing about via Instagram on the Dorothy Parker Society Instagram account here.

April is also National Poetry Month, so we will talk a lot about the poets and writers of the group. If you have any questions, contact us or post it on Facebook or Instagram.

I Found Frank CaseI Found Frank Case

May 5, 2021| Kevin Fitzpatrick| 0 Comment | 12:55 pm

I found Frank Case. I wasn’t even looking for him. I was in Oakland Cemetery in Sag Harbor, Long Island, for the first time. I was actually looking for a Doughboy for our WWI Homecoming 21 project. As I was walking along the line of graves, since I didn’t know the location, I was peering at each one as quickly as possible. At the corner of the cemetery, in the corner of my eye, was a lone mausoleum. There are not that many in Oakland, just a few, it is not Woodlawn. As I stepped closer I saw the name across the top: CASE.

I was so happy to see this. Here was the general manager and owner of the Algonquin Hotel.

I had known for many years that Case (1871-1946) had a second home in Sag Harbor. He wrote about the home in his books, as did his only daughter, Margaret Case Harriman. While Case was the most famous hotelier in America at one time, I never knew where he ended up after his death in Manhattan. I assumed, wrongly, that he had gone home to Buffalo, New York, his hometown, and where his first wife, Carrie Case, was buried in 1908 after she tragically died in the Algonquin Hotel following the birth of their son, Carrol.

Frank and Bertha Case

One thing I learned a long time ago was to never trust the Internet. When I was researching my book The Algonquin Round Table New York: A Historical Guide (2015) I was on a mission to track down the final resting places of the Vicious Circle. I did locate almost all 30 of them, but there are a few that still escape me (where are you Jane Grant and Robert E. Sherwood?). But I found many inaccuracies and misinformation. I made a pass at looking for Case; one lead was he was buried in Woodlawn, which was wrong. Many obituaries list New Yorker’s would hold their memorials in Woodlawn, then the remains sent away to other towns for burial. What I suspect is after his death, which was just four months after his second wife, Bertha, his family brought Bertha and Frank to the receiving vaults of Woodlawn. Here they remained temporarily while the mausoleum was constructed in Sag Harbor. I guess if I had 10 hours of free time I could check the records of both cemeteries, so perhaps if someone reading this wants to hire me for a paid assignment I will do that.

I like finding this mausoleum and closing the circle on Frank Case, who was by all accounts beloved by friends and staff (but was anti-union). He was also, like me, a member of The Lambs (the clubhouse was 2 minutes away west on Forty-fourth Street, and many of the actors who were members also lived at the hotel, such as John Drew and nephew John Barrymore).

One story told in the obituary of Bertha Case is about Sag Harbor. Bertha was a housekeeper at the Algonquin, which is how she met Frank. During WWI she volunteered and went to France with the YMCA as a volunteer, and was friends with superstar Elsie Janis (also an Algonquin regular). She and Frank were married for 30 years. What Bertha did was use the flower gardens at the Sag Harbor house to provide floral arrangements for the hotel–which she oversaw. Sag Harbor is also where the Case family entertained friends, such as Robert Benchley.

If you are in Sag Harbor and the South Fork of Long Island, pay a visit to Frank and Bertha Case.

Heywood Broun on Actors and VaudevilleHeywood Broun on Actors and Vaudeville

December 14, 2014| Kevin Fitzpatrick| 0 Comment | 8:27 pm

Heywood Broun

On this day in 1938 Heywood Broun died. Here is a sample of one of his columns. From “It Seems To Me.” He loved vaudeville and the stage.

On Actors

Nothing in the world dies quite as completely as an actor and the greater the actor the more terrifying becomes the sudden transition from radiance to darkness. One day he is there with all his moods and complexities and curious glints of this and that, and the next day there is nothing left but a few wigs and costumes; perhaps a volume of memoirs, and a scrapbook of clippings in which we learn that the dead player was “majestic in presence” that “the poise of his head was stag-like” that he had “a great voice which boomed like a bell,” that he was “regal, subtle, pathetic,” and that “every one who was ever associated with him loved and respected him.”

Ask some veteran theatergoer “What was Booth like as Hamlet?” and he will say “Oh, he was wonderful.” Perhaps the face of the old theatergoer will grow animated and Booth may live again for a moment in his mind, but we who have never seen Booth will never know anything about him. Nobody can recreate and explain the art of a dead actor to the next generation. Even men who do tricks and true magic with words are not adept enough to set down any lasting portrait of an actor on the wing.

Walk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & Wits

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