Algonquin Round Table News Walk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & Wits

Walk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & Wits

Algonquin Round Table New York: A Historical Guide (Lyons Press)

Algonquin Round Table New York: A Historical Guide (Lyons Press)

New York—Retrace the steps of the legendary wits that convened at the Algonquin Hotel in 1919 who called themselves the Vicious Circle. THE ALGONQUIN ROUND TABLE NEW YORK: A HISTORICAL GUIDE is the first book to fully explore the whole group and their world. It’s packed with photos and maps.

“That is the thing about New York,” wrote Dorothy Parker in 1928. “It is always a little more than you had hoped for. Each day, there, is so definitely a new day.”

Now you can journey back there, in time, to a grand city teeming with hidden speakeasies, luxurious Broadway playhouses, and dazzling skyscrapers. In these places, Parker and her cohorts in the Vicious Circle sharpened their wit, polished their writing, and captured the energy and elegance of the time. Robert Benchley, Parker’s best friend, became the first managing editor of Vanity Fair before Irving Berlin spotted him onstage in a Vicious Circle revue and helped launch his acting career. Edna Ferber, creator of bestselling melodramas, wrote the Pulitzer-winning So Big as well as Show Boat and Giant. Jane Grant pressed her first husband, Harold Ross, into starting The New Yorker. Herman Mankiewicz was a Times wage slave who soaked up the atmosphere, later pouring it into his screenplay for Citizen Kane. Parker wrote for Vanity Fair and Vogue before ascending the throne as queen of the Round Table, earning everlasting fame (but rather less fortune) for her award-winning short stories and unforgettable poems. These are a few of the thirty figures from backstage Broadway to newspaper city rooms in the book.

Explore their favorite salons and saloons, their homes and offices (most still standing), while learning about their colorful careers and private lives. Packed with archival photos, drawings, and other images—including never-before-published material—this illustrated historical guide includes current information on all locations. Use it to retrace the footsteps of the Algonquin Round Table, and you’ll discover that the golden age of Gotham still surrounds us.

About the Author
Kevin C. Fitzpatrick (author), president of the Dorothy Parker Society, is the author of Under the Table: A Dorothy Parker Cocktail Guide (Lyons Press). He has been leading walking tours from the Algonquin Hotel for 15 years. Visit him at fitzpatrickauthor.com.

Anthony Melchiorri (foreword) is the creator and host of Hotel Impossible on the Travel Channel. A former general manager of the Algonquin Hotel, he has twenty years experience at the top hotels in the industry.

To Pre-Order: The Algonquin Round Table New York: A Historical Guide, by Kevin C. Fitzpatrick, (Lyons Press January 2014; ISBN: 978-1-4930-0757-8)

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Laurence Stallings

A Look at Laurence Stallings, WriterA Look at Laurence Stallings, Writer

Laurence Stallings

Laurence Stallings

Laurence Tucker Stallings is mentioned about three times a year by the pop culture world. Usually it has to do with his screenwriting hits The Big Parade or She Wore A Yellow Ribbon appearing on television. There has only been one book about him, a not very good academic tome (by Joan T. Brittain, Laurence Stallings, Twain, 1975). When I was working on the book, I did reach a person who was connected to his late children. The man was so unhelpful, and unpleasant, that I am still incredulous at his lack of wanting to perpetuate the life story of Stallings. Today is the anniversary of his birth, in 1894, which is a good reason to present some of my information about him.

I’ve always liked the Stallings story. He served as a U.S. Marine in World War I, and was grievously wounded. Stallings joined the staff of the New York World in 1922 to write book reviews and editorials. The war veteran was passionately liberal; when he referred to a black man as “Mr.” in print, he angered readers in his Georgia hometown.

Stallings and Maxwell Anderson were both working at the World when they decided to collaborate on a play. Stallings, who’d lost a leg in combat as a Marine, knew he wanted to write an antiwar drama. The pair co-wrote What Price Glory? for producer-director Arthur Hopkins, and it exploded at the Plymouth Theatre on September 5, 1924. It was the first play to use the profanity-laced speech of soldiers, and its grim view of war was riveting. The story of First Sergeant Quirt (William Boyd) and Captain Flagg (Louis Wolheim) in the trenches of France, the script used Stallings’ experiences in World War I. It ran for 433 performances and got the playwrights contracts in Hollywood.

Not much is ever written about him, and a lot is not accurate or focuses just on his movies. Here is a little more on an overlooked American writer.

The Algonquin Round Table considered Laurence Stallings a hero because of his sacrifices as a WWI combat veteran; many members had also served in the A.E.F. His combat experience would provide him the inspiration to write passionately about war in a bestselling book, a gritty Broadway drama, magazine stories and fiction, and a smash hit silent film.

Laurence Tucker Stallings, Jr., was born November 25, 1894, in Macon, Georgia. He graduated from Wake Forest with a B.A. in 1915. His first job was a reporter on the Atlanta Constitution in 1915.

In 1917 Stallings enlisted in the Marines and was sent to France, where he participated in some of the bloodiest campaigns of the war. He received a battlefield commission, and took over command of a Marine outfit. At the Battle of Belleau Wood near the Marne River, Stalling was wounded in June 1918. Awarded the Purple Heart and the Croix de Guerre, Stallings spent eight months recovering in France before being shipped home after the Armistice was signed.

Once home, he married his college sweetheart. Helen Poteat was the daughter of the Wake Forest president, William Louis Poteat. The wedding was on March 6, 1919, at the campus in Winston-Salem. After the wedding, the couple moved to Washington, D.C., where Stallings joined The Washington Times as a reporter and earned his M.A. from Georgetown. His writing career was taking off, however, Stallings never fully recovered from his combat injuries, and in 1922 had to have his right leg amputated.

Laurence Stallings

Laurence Stallings

After recuperating Stallings and his wife moved to New York, where he joined the World. A tall, dark-haired, good-looking Southerner, Stallings sometimes came to the Algonquin Hotel wearing his artificial leg, other times he’d walk in on a crutch. His newspaper co-workers Heywood Broun and Deems Taylor introduced him to the Vicious Circle after it was an established institution.

In 1924 Stallings was writing book reviews three days a week for the World. He was tapped by executive editor Herbert Bayard Swope to be on the “Op. Ed” page with Franklin P. Adams, Heywood Broun, Frank Sullivan, and Alexander Woollcott. He shared an office with Maxwell Anderson, at the time a fellow editorial writer. They collaborated on their first play, What Price Glory? for the powerful Broadway producer Arthur Hopkins, who’d also staged Don Marquis’ hit play The Old Soak. With What Price Glory? Stallings was able to share his real-life experiences about the trauma and heartbreak of soldiers in combat. It was a hit at the Plymouth Theater, 236 West 45th Street, and ran for more than a year.

But he was not finished with the Great War. His novel, Plumes, was a contender for the 1925 Pulitzer Prize, but it was edged out by another Algonquin regular, Edna Ferber, for her novel So Big. Broun weighed in on the subject in his column:

“I have heard that Plumes, by Laurence Stallings, was the second choice of the committee, but this is not official, as the body does not announce any honorable mentions. At any rate, Plumes should be high up on the list. There are things in Plumes which seem to me better than any portion of So Big, but it is a less evenly developed book and is justly placed below Miss Ferber’s novel. If there were such a thing as a pentathlon, or all around prize, Laurence Stallings could not be shut out from victory, since he wrote a novel which proved a contender and collaborated with Maxwell Anderson on a play which ranked near the top.”

His novel was adapted for the silent movie epic The Big Parade that same year, and was among the first blockbusters in the pre-talking pictures era. Directed by maverick filmmaker King Vidor, The Big Parade played to sell-out crowds across the nation. A railroad car was used to transport the orchestra, lighting, and personnel from town to town. The film, made just seven years after the conflict, was the first to show the gritty side of the war on the big screen. The central character, played by John Gilbert, like Stallings, also loses a leg in battle.

Stallings and his wife had two children together during their rocky 17-year marriage. In December 1936 Stalling’s wife sued him for divorce in Reno, Nevada, charging him with cruelty. In a private trial a judge granted the divorce and the 17-year union was over. He walked away from his family and gracious estate in North Carolina, and never saw them again. Stalling was free to marry a girlfriend, Louisa St. Leger Vance, a 25-year-old writer. On March 18, 1937, the couple was married in Manhattan at her parents’ home, 410 East 57th Street. They had two children. Stallings moved to Hollywood, where he remained for the rest of his life.

In the 1930s Stallings had a tumultuous decade. He couldn’t choose between literature or motion pictures. He was close to Robert Benchley and could be spotted at “21” together; both men had the same issues of working for art or commerce. In 1934 Stallings became an editor of Fox Movietone News (offices 460 West 54th Street), and resided at 50 East 77th Street. In 1935 Fox sent him to Ethiopia for what turned out to be a two-year assignment. He was looking for the start of the next war with four cameramen and 50,000 feet of film as they waited for Mussolini to invade. Stallings filed stories for the New York Times on the conflict, and then returned home to America. He abandoned his first wife and two small daughters after his 1937 remarriage. When the U.S. entered World War II, Stallings went back on active duty with the Marines in 1942. He served as an intelligence officer in the Pentagon, and attained the rank of lieutenant colonel.

Laurence T. Stallings gravesite. Photo: Nigel Quinney.

Laurence T. Stallings gravesite. Photo: Nigel Quinney.

Stallings returned to California to write screenplays, magazine articles, and books. He lived in Pacific Palisades and his health deteriorated. Doctors had to remove his other leg in 1963, the same year he published a stirring account of World War I, The Doughboys. Stallings died on February 28, 1968, at his home. He received a military burial with a Marine Corps honor guard. Stallings is interred outside San Diego in Ft. Rosecrans National Cemetery.

Adapted from The Algonquin Round Table New York, A Historical Guide (Globe Pequot Press). Order the book here.

Walk in the Footsteps of the Vicious CircleWalk in the Footsteps of the Vicious Circle

The Algonquin Hotel

The Algonquin Hotel

The first public walking tours of 2018 will be in January and February. The walks are led by Kevin C. Fitzpatrick, author of The Algonquin Round Table New York and A Journey into Dorothy Parker’s New York.

Algonquin Round Table Tour
Mondays, meet at the Algonquin Hotel 10:45, walks begin at 11:00.
29 January
5 February
12 February
26 February
Advance tickets required, click here to book.

Dorothy Parker’s Upper West Side
Wednesdays, meet at Riverside Drive and W. 72nd Street 10:45, walks begin at 11:00.
31 January
7 February
14 February
28 February
Advance tickets required, click here to book.

If the attendance is consistent more dates will be added in March and April. Keep watching the blog and Facebook page for announcements.

NYPL

Algonquin Round Table Conversation, January 31 at New York Public LibraryAlgonquin Round Table Conversation, January 31 at New York Public Library

The New York Public Library has launched the Community Conversations initiative. On Wednesday, January 31, 6:30 p.m., the Mid-Manhattan branch will host a lecture and conversation “Literary Life in New York: Then and Now” to focus on the Algonquin Round Table history. It will feature Kevin C. Fitzpatrick, author of The Algonquin Round Table New York: A Historical Guide.

The event is free and open to the public. It will be held in the Stephen A. Schwarzman Building, 42nd and Fifth Avenue (476 Fifth Avenue). Enter on the 42nd Street side entrance. Currently the Mid-Manhattan branch is closed for renovations and it is temporarily located in the flagship building of the NYPL.

About the evening: Mid-Manhattan Library is organizing a series of lectures and conversations around the life of the mind for the average New Yorker. Following each public lecture, librarians will facilitate a dialogue with the goal of connecting neighbors and building new relationships through meaningful dialogue about local issues.

The second talk in the series, “Literary Life in New York: Then and Now,” with Kevin Fitzpatrick, focuses on the Algonquin Round Table. In 1919—a century ago next year—The Algonquin Round Table first started having their famous luncheons at the Hotel Algonquin. Since that time a direct line can be drawn through New York from those 30 members of the Vicious Circle. Their impact on books, magazines, theater, film, and music is still around us today. In this talk, Kevin will give an overview of the history of the Algonquin Round Table, and lead us from the New York era of the Jazz Age and speakeasies to the modern era of streaming music and Twitter.

Following the talk, join us for a community conversation on creative life in New York. How has literary life changed in the digital age? Share your insights and join the dialogue. The brand new Community Conversations initiative at The New York Public Library introduces a space for discussion on local topics that matter most to you. Local librarians at select branches will co-facilitate these dialogues with community organizations, inviting anyone and everyone to the table to share and listen. Let’s create a truly democratic space where we can connect together through meaningful dialogue.

Space is limited, reserve free tickets here.