Algonquin Round Table History,News 117 Years Ago Today 1st Guests Arrived at the Algonquin Hotel

117 Years Ago Today 1st Guests Arrived at the Algonquin Hotel

Today is the anniversary of the opening of the Algonquin Hotel in 1902. Guests 117 years ago checked into the newest hotel on the block, located at No. 59-63 West Forty-fourth Street. When the Vicious Circle launched a century ago in 1919, it was but just 17 years old.

For the 2015 book The Algonquin Round Table New York: A Historical Guide (Globe Pequot), an entire chapter is devoted to the history of the hotel, its ownership era, and legends. A brief excerpt about the early days in 1902 begins:

“It isn’t the oldest hotel on the block. Both the Royalton at No. 44 and the Iroquois at No. 49 opened in 1900. In 1901-1902 the Thompson-Starrett Company built the Algonquin Hotel for the Puritan Realty Company. Puritan bought the plot, 72 x 100 feet, for $180,000 in November 1901. Construction of the one-hundred thirty-six foot tall building took just seven months. Puritan Realty put up the money, $500,000, and Thompson-Starrett acted as the architects and contractors. Twenty-eight year-old architect Goldwin Starrett worked on the hotel with his brothers Theodore, Ralph, and William.

It opened as the Hotel Algonquin, named for the Native Americans who were populous in New England during the pre-colonial era. “Algonquin” was chosen at the suggestion of first owner Ann Stetson Foster, because the Hotel Iroquois was already next-door. “It will make a veritable Indian settlement,” she said.

The first guests checked in on November 22, 1902. The twelve-story hotel had 192 rooms and suites. A room and bath en suite cost $2 a day, while a three-bedroom suite with private hall, sitting room, dining room, three bathrooms, and library would set you back $10. Following extensive renovations in 2012, the hotel now has 181 rooms; of those 25 are suites.”

The hotel is local and national literary landmark. We lift a glass to its continued history, success, and achievements. Here is a great podcast recorded inside the hotel by Greg and Tom, The Bowery Boys.

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Walk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & WitsWalk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & Wits

Algonquin Round Table New York: A Historical Guide (Lyons Press)

Algonquin Round Table New York: A Historical Guide (Lyons Press)

New York—Retrace the steps of the legendary wits that convened at the Algonquin Hotel in 1919 who called themselves the Vicious Circle. THE ALGONQUIN ROUND TABLE NEW YORK: A HISTORICAL GUIDE is the first book to fully explore the whole group and their world. It’s packed with photos and maps.

“That is the thing about New York,” wrote Dorothy Parker in 1928. “It is always a little more than you had hoped for. Each day, there, is so definitely a new day.”

Now you can journey back there, in time, to a grand city teeming with hidden speakeasies, luxurious Broadway playhouses, and dazzling skyscrapers. In these places, Parker and her cohorts in the Vicious Circle sharpened their wit, polished their writing, and captured the energy and elegance of the time. Robert Benchley, Parker’s best friend, became the first managing editor of Vanity Fair before Irving Berlin spotted him onstage in a Vicious Circle revue and helped launch his acting career. Edna Ferber, creator of bestselling melodramas, wrote the Pulitzer-winning So Big as well as Show Boat and Giant. Jane Grant pressed her first husband, Harold Ross, into starting The New Yorker. Herman Mankiewicz was a Times wage slave who soaked up the atmosphere, later pouring it into his screenplay for Citizen Kane. Parker wrote for Vanity Fair and Vogue before ascending the throne as queen of the Round Table, earning everlasting fame (but rather less fortune) for her award-winning short stories and unforgettable poems. These are a few of the thirty figures from backstage Broadway to newspaper city rooms in the book.

Explore their favorite salons and saloons, their homes and offices (most still standing), while learning about their colorful careers and private lives. Packed with archival photos, drawings, and other images—including never-before-published material—this illustrated historical guide includes current information on all locations. Use it to retrace the footsteps of the Algonquin Round Table, and you’ll discover that the golden age of Gotham still surrounds us.

About the Author
Kevin C. Fitzpatrick (author), president of the Dorothy Parker Society, is the author of Under the Table: A Dorothy Parker Cocktail Guide (Lyons Press). He has been leading walking tours from the Algonquin Hotel for 15 years. Visit him at fitzpatrickauthor.com.

Anthony Melchiorri (foreword) is the creator and host of Hotel Impossible on the Travel Channel. A former general manager of the Algonquin Hotel, he has twenty years experience at the top hotels in the industry.

To Pre-Order: The Algonquin Round Table New York: A Historical Guide, by Kevin C. Fitzpatrick, (Lyons Press January 2014; ISBN: 978-1-4930-0757-8)

Divided By Three

The Flop of 1934, Divided By Three Fails to Find an AudienceThe Flop of 1934, Divided By Three Fails to Find an Audience

Eighty-five years ago the Algonquin Round Table members Peggy Leech and Bea Kaufman were licking their wounds after their debut collaboration flopped on Broadway. The two friends worked for about a year on a drama that failed to succeed. Divided by Three was the first play to open the Ethel Barrymore Theatre. It had a popular cast, led by megastar Judith Anderson, with a young Jimmy Stewart in a supporting role.

Divided By Three has not been published and is not available. It ran for just 32 performances in October 1934. Among the tepid reviews were this one from Time, 10/15/1934:

Divided by Three (by Margaret Leech Pulitzer and Beatrice Kaufman; Guthrie McClintic, producer) was written to make room for the superb abilities of smoldering Judith Anderson. It borrows the plot of Eugene O’Neill’s Strange Interlude and puts Miss Anderson back in the role she enormously enjoyed for a year. In Divided by Three again she is divided by: 1) her aggressive middle-aged lover (James Rennie); 2) her incredibly unsuspecting putterer of a husband; 3) her son (James Stewart). She finds it desirable and, until the second act curtain, possible to accept all three simultaneously.

It is her son who learns of her adultery, through the kindly offices of his priggish fiancée. As priggish as she, he calls his mother a whore and withdraws his love from both mother and fiancée. The last act allows everyone (still except the husband) to become readjusted to the situation. The son still feels that adultery is wrong; his mother is still determined to have what she wants. But just as she decides to come clean and divorce her husband, he comes home with the news that he has been wiped out in the stock market. Like the noble character she is, she drops the divorce plans. Her lover, after a minute’s anguish, decides after all to stay for dinner.

Only Judith Anderson makes this implausible story a moving and challenging affair. She bats her heavy-lidded eyes, settles her welterweight shoulders and makes her audience feel that something important is happening. Noteworthy are Donald Oenslager’s handsome settings.

Divided By Three

Judith Anderson rehearsing with director Guthrie McClintic for “Divided by Three” in his garden. ©The New York Public Library.


More newsworthy than their first play are Divided by Three’s authors.

Margaret Leech Pulitzer is the second wife of that studious, shy Ralph Pulitzer whom newspapermen have never forgiven for letting his late great father’s New York World be sold, and whom they howled out of accepting the post of administrator of the NRA newspaper code.

Beatrice Bakrow Kaufman is the wife of playwright George S. Kaufman (Of Thee I Sing, Once in a Lifetime, Dinner at Eight, Merrily We Roll Along), who lives on meat and chocolate peppermints, talks to himself on the street and is on the administration committee of the NRA theatre code.

Both Mrs. Pulitzer and Mrs. Kaufman are ringleaders of Manhattan’s first-nighting, croquet-playing, waggish literary-theatrical-social set. Mrs. Pulitzer has a two-year-old daughter; Mrs. Kaufman has a nine-year-old daughter. Mrs. Pulitzer graduated from Vassar, has written three competent novels, hates bridge, likes travel. Mrs. Kaufman quit Wellesley after a year; quit the University of Rochester to marry Mr. Kaufman. She is convinced she is No. 1 woman croquet player of the U. S.

Last week Manhattan critics tried to like their friends’ first play but only half of them succeeded.

citizen kane

Round Table Movies in the Library of CongressRound Table Movies in the Library of Congress

GIANT

Edna Ferber and James Dean on the set of Giant.

The Algonquin Round Table has many ties to film history. With so many writers and actors, it’s no wonder there are links to many classic Hollywood productions. Most of these names are in The Algonquin Round Table New York: A Historical Guide. Lucky for us, the Library of Congress National Film Registry is around.

Motions pictures that members of the Round Table contributed to, and that the Library of Congress has added to the National Film Registry. These films are to be preserved in the national archives for perpetuity:

A Night at the Opera (Harpo Marx, star; George S. Kaufman, screenplay)

Citizen Kane (Herman J. Mankiewicz, writer)

Duck Soup (Harpo Marx, star)

Giant (Edna Ferber, writer)

Showboat (Edna Ferber, writer)

It’s A Wonderful Life (Dorothy Parker, un-credited script doctor)

The Big Parade (Laurence Stallings, writer)

The Philadelphia Story (Donald Ogden Stewart, adapted screenplay)

The Sex Life of the Polyp (Robert Benchley, writer & star)

The Sound of Music (Peggy Wood, co-star)

How many have you seen? Do you think any were overlooked?