Algonquin Round Table History,News Franklin P. Adams Day

Franklin P. Adams Day

FPA

Today is the natal day of Franklin P. Adams, born on this day in 1881 in Chicago. During his days in New York City, he famously had joint birthday parties with his pal and poker-playing friend, George S. Kaufman (Nov. 16). There are many, many stories about FPA online and in The Lost Algonquin Round Table and The Algonquin Round Table New York: A Historical Guide. But there is news today, on his birthday.

FPA

Franklin P. Adams and his second wife, Esther Root, on their honeymoon, 1925.

Recently I was given the huge honor by the descendants of FPA to safeguard his papers and archives. Tony Adams, last surviving son of FPA and his second wife, Esther Root Adams, gave to me FPA documents, letters, photographs, and ephemera. I will be using some of that material for my next book, The Lost Algonquin Round Table 2, due out late next year. One thing about FPA, he saved everything. So on this birthday, raise a cocktail to FPA. He deserves to be remembered today and every day. Look for his books on eBay and in used book stores. He has been out of print since the 1960s, which is pretty sad to me. If you are a fan of FPA, drop me a line.

Also, be sure not to miss the post today from Trav SD about FPA.

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Robert Benchley

Listen to The Secret Life of Walter MittyListen to The Secret Life of Walter Mitty

Today is the 74th anniversary of recording The Secret Life of Walter Mitty (1944).

“The Secret Life of Walter Mitty” with Robert Benchley. Recorded for CBS on Dec. 20, 1944. Based on the 1939 short story by James Thurber, this is the full radio dramatization. It comes from “This Is My Best” radio series. Thurber praised Benchley’s performance, and didn’t like the 1947 Danny Kaye musical comedy version. Mogul David Selznick approached Benchley in 1940 about making a short film based on the Mitty story that first appeared in The New Yorker, but it didn’t work out. Less than a year after this recording was made, Benchley died in New York. “The Secret Life of Walter Mitty” is included in “Thurber Writings and Drawings” (Library of America series).

From The Algonquin Round Table New York: A Historical Guide (Lyons Press, 2015), by Kevin C. Fitzpatrick, with a foreword by Anthony Melchiorri.

Heywood Broun on Babe Ruth in 1922Heywood Broun on Babe Ruth in 1922

With baseball season around the corner, let’s look at one of the many Algonquin Round Table links to the game. In the world of New York newspaper columnists in the Jazz Age, Heywood Broun stood out from the rest. His column “It Seems To Me” was beloved, and he could tackle any subject. Broun had gotten his start as a baseball writer, and continued his passion for ballpark trips even when he became a celebrity covering Broadway and news stories. Broun had seats in the press box to watch Babe Ruth in his amazing 1921 season with the New York Yankees. This column appeared in 1922.

Ruth Vs. Roth
By Heywood Broun

We picked up “Who’s Who in America” yesterday to get some vital statistics about Babe Ruth, and found to our surprise that he was not in the book. Even as George Herman Ruth there is no mention of him. The nearest name we could find was: “Roth, Filibert, forestry expert; b. Württemberg, Germany, April 20, 1858; s. Paul Raphael and Amalie (Volz) R., early edn. in Württemberg—”

There is in our heart not an atom of malice against Prof. Roth (since September, 1903, he has been “prof. forestry, U. Mich.”), and yet we question the justice of his admission to a list of national celebrities while Ruth stands without. We know, of course, that Prof. Roth is the author of “Forest Conditions in Wisconsin” and of “The Uses of Wood,” but we wonder whether he has been able to describe in words uses of wood more sensational and vital than those which Ruth has shown in deeds. Hereby we challenge the editor of “Who’s Who in America” to debate the affirmative side of the question: Resolved, That Prof. Roth’s volume called “Timber Physics” has exerted a more profound influence in the life of America than Babe Ruth’s 1921 home-run record.

Heywood Broun

Heywood Broun

The question is, of course, merely a continuation of the ancient controversy as to the relative importance of the theorist and the practitioner: should history prefer in honor the man who first developed the hypothesis that the world was round or the other who went out and circumnavigated it? What do we owe to Ben Franklin and what to the lightning? Shall we celebrate Newton or the apple?

Personally, our sympathies go out to the performer rather than the fellow in the study or the laboratory. Many scientists staked their reputations on the fact that the world was round before Magellan set sail on the Vittoria. He did not lack written assurances that there was no truth in the old tale of a flat earth with dragons and monsters lurking just beyond the edges.

But suppose, in spite of all this, Magellan had gone on sailing, sailing until his ship did topple over into the void of dragons and big snakes. The professors would have been abashed. Undoubtedly they would try to laugh the misfortune off, and they might even have been good enough sports to say, “That’s a fine joke on us.” But at worst they could lose nothing but their reputations, which can be made over again. Magellan would not live to profit by his experience. Being one of those foreigners, he had no sense of humor, and if the dragons bit him as he fell, it is ten to one he could not even manage a smile.

By this time we have rather traveled away from Roth’s “Timber Physics” and Ruth’s home-run record, but we hope that you get what we mean. Without knowing the exact nature of “Timber Physics,” we assume that the professor discusses the most efficient manner in which to bring about the greatest possible impact between any wooden substance and a given object. But mind you, he merely discusses it. If the professor chances to be wrong, even if he is wrong three times, nobody in the classroom is likely to shout, “You’re out!”

The professor remains at bat during good behavior. He is not subject to any such vicissitudes as Ruth. Moreover, timber physics is to Mr. Roth a matter of cool and calm deliberation. No adversary seeks to fool him with speed or spitballs. “Hit it out” never rings in his ears. And after all, just what difference does it make if Mr. Roth errs in his timber physics? It merely means that a certain number of students leave Michigan knowing a little less than they should—and nobody expects anything else from students.

On the other hand, a miscalculation by Ruth in the uses of wood affects much more important matters. A strike-out on his part may bring about complete tragedy and the direst misfortune. There have been occasions, and we fear that there will still be occasions, when Ruth’s bat will be the only thing which stands between us and the loss of the American League pennant. In times like these who cares about “Forest Conditions in Wisconsin”?

Coming to the final summing up for our side of the question at debate, we shall try to lift the whole affair above any mere Ruth versus Roth issue. It will be our endeavor to show that not only has Babe Ruth been a profound interest and influence in America, but that on the whole he has been a power for progress. Ruth has helped to make life a little more gallant. He has set before us an example of a man who tries each minute for all or nothing. When he is not knocking home runs he is generally striking out, and isn’t there more glory in fanning in an effort to put the ball over the fence than in prolonging a little life by playing safe?

***

Adapted from The Lost Algonquin Round Table: Humor, Fiction, Journalism, Criticism and Poetry From America’s Most Famous Literary Circle (Donald Books/iUniverse). Edited by Nat Benchley and Kevin C. Fitzpatrick. Available Here.

Brock Pemberton

Brock Pemberton, From Kansas to the Great White WayBrock Pemberton, From Kansas to the Great White Way

Brock and Margaret Pemberton

Brock and Margaret Pemberton


Today is the anniversary of the birth of one of the most overlooked members of the Algonquin Round Table, namely, Brock Pemberton. His brother, Murdock Pemberton, gets barely more attention than his far more successful sibling. Let’s take a short dive into his life. All of the material is from The Algonquin Round Table New York: A Historical Guide.

It sounds like the story in a Broadway musical: hick conquers metropolis. However, this story was Brock Pemberton’s, and it really did happen that way. He went from Kansas newspaperman to powerful Broadway producer, and was the father of the annual Tony Awards.

Ralph Brock Pemberton was born December 14, 1885, in Leavenworth, Kansas. He grew up about 100 miles southwest, in Emporia, where his father worked as a salesman. He and his younger brother, Murdock, went to Emporia High School. Brock graduated in 1902 and attended the local College of Emporia for three years, before transferring to the University of Kansas. He got his A.B. degree in 1908 and returned home. Pemberton had known the legendary editor William Allen White of the Emporia Gazette since he was a boy, and White hired him as a reporter. Pemberton was a dynamo on the tiny staff.

Pemberton thrived on the Emporia newspaper under White’s tutelage. White had earned a national reputation for his provocative editorials, and made frequent trips to the East Coast. In the age-old way of newspaper employment, he spoke to a New York City editor on Pemberton’s behalf. With that, the 24 year-old booked a one-way ticket for Manhattan in 1910. Arriving on Park Row after a 1,300-mile train trek, he learned that the position was not going to materialize. But as luck would have it, someone gave him a note to hand to Franklin P. Adams, who was at the New York Evening Mail at the time. Just as F.P.A. would later stick his neck out for Robert Benchley and George S. Kaufman, he went to bat for Pemberton. He landed a job as a reporter.

After a few months Pemberton was transferred from the city desk to the drama department at the Mail. On his first assignment, he was sent to attend a musical called “Everywoman” at the Herald Square Theatre. Pemberton innocently reviewed the show as if he was an audience member in Emporia, with hilarious results. The staff found his hayseed review backslapping funny, and the edition became a collector’s item, to Pemberton’s embarrassment. He had to learn to be more hard-edged.

In 1911 he moved to the New York World drama desk, where he got to know the bustling theater business intimately. A few years later he was offered the position of assistant drama editor at the New York Times, working under Alexander Woollcott, who was the paper’s chief drama critic. His contacts grew. Pemberton had spent six years in New York journalism when producer Arthur Hopkins offered him a job in 1917. Hopkins was one of the most successful producers in the city, and Pemberton was put to work in every capacity, from set construction to directing. It was his new career.
Pemberton stayed in the Hopkins organization for just three years, but he learned the skills a producer would need. When Hopkins passed on producing a three-act comedy called “Enter Madame” in 1920, Pemberton asked if he could produce it. He took the biggest gamble of his life, and it paid off. The show ran for two years at the Garrick; he also directed the show. He was a newly minted Broadway producer at age 35. Soon after, Pemberton tapped Zona Gale to adapt her bestseller “Miss Lulu Bett” into a play, and he opened it two days after Christmas 1920. It was a smash success at the Belmont, and won the Pulitzer Prize as the year’s best drama the following year.

On Dec. 30, 1915, Pemberton married Margaret McCoy in East Orange, New Jersey. He was 30 and she was 36. She sometimes would work as a costumer on her husband’s shows.

In 1919, when the Round Table began, he was living at 123 East 53rd Street, between Park and Lexington avenues. The building has since been demolished. In 1918 he lived at 123 E. 53rd Street. He lived at 115 East 53rd Street in 1920, 1927, and 1931. In 1948 he was living at 455 E. 51st Street.

In 1925, the offices of Pemberton Productions, Inc. and Brock Pemberton, Inc. were at 224 West 47th Street. That building was demolished and is today the Hotel Edison, which opened in 1931.

Pemberton carved out a 30-year career in the theater business. He took on risky shows and had many hits, and several flops. He brought out the first plays by Maxwell Anderson and Sidney Howard. Among the many actors whose careers he launched onstage were Walter Huston, Miriam Hopkins, Claudette Colbert and Frederic March. In 1928 he lost $40,000 on a show, but bounced back the next year with the light comedy “Strictly Dishonorable” that began a long association with the actress-director Antoinette Perry. The pair had a string of hits together; some said they also had a long-running romantic relationship. The pair was among those that helped form the American Theatre Wing in 1939; the group put on the Stage Door Canteen shows for troops during the war. After Perry’s death in 1946, Pemberton pushed for the creation of the American Theatre Wing’s Antoinette Perry Awards for Excellence in Theatre — the Tony Awards.