Algonquin Round Table History,News Heywood Broun on Being Fired in the Spring, Summer, and Winter (Summer is Best)

Heywood Broun on Being Fired in the Spring, Summer, and Winter (Summer is Best)

Heywood Broun

Heywood Broun

Heywood Broun

This is one of the very last columns that Heywood Broun ever published. Broun ran his own bi-weekly newspaper, Nutmeg (later called Broun’s Nutmeg) in Stamford, Connecticut, where he resided. It was in operation in the late 1930s, and was concurrent as he wrote a syndicated column “It Seems to Me” for Scripps-Howard and organized the Newspaper Guild. After his contract was allowed to lapse in late 1939, he moved to the New York Post. He only had one column appear in the paper, as he succumbed to pneumonia on December 18 at age 51. This column was written ten days before his death.

Old Newspaperman
By Heywood Broun
December 9, 1939

It happens suddenly. On a Tuesday, perhaps, you’re sitting around kidding back and forth in the City Room and maybe growing reminiscent about some story you covered quite a long time back. Yes, that’s the way it was. It gave an opening to a young squirt reporter and he said, “Uncle Heywood, how did you like Jenny Lind’s first concert?”

Now naturally I never saw Jenny Lind but I did ride in horse-driven buses on Fifth Avenue and I saw Admiral Dewey come parading across Washington Square and we all hollered because he had won the Battle of Manila and made America a world power.

Everybody got to calling me Uncle Heywood and at the drop of a hat I could be induced to talk about Matty and the old, old Giants. And when the mood gripped me I would even go back to the days of Dan McGann. You can always spot an old newspaperman by his tendency to talk and write of things in the past. Every one of us will insist that they don’t grow fighters like Fitzsimmons any more.

There isn’t any set time for becoming an old newspaperman but around fifty is the dangerous age and at fifty-one the line is definitely marked as the groove on the floor of the Alamo.

I’ve been fired in the Spring, the Summer and early Winter. I like it best in the Summer. Three times in thirty-one years isn’t so much to be fired. The first firing is often worse than the last. It’s very discouraging to get canned when you’re young. That’s the way it was with me. I was twenty-one and working on the Morning Telegraph. My stall in the old Eighth Avenue car barn was right next to Bide Dudley. He was getting $35 a week and my salary was $28. I wanted $30 but when I asked for it they fired me.

The next job was a long time coming. Fortunately I was a man of character and living at home and so I didn’t go into insurance or business but just borrowed money from my father and sat around for six months doing nothing. Eventually Burdick gave me a job on the Tribune.

He was a shy city editor and when he mentioned the salary he didn’t want to pronounce the fatal words. He gazed away off at a distant window and wrote on a piece of scratch paper $25. Newspaper work is like that. You can go perfectly straight down once you are over the top of the mountain but detours are necessary as you come up from the valley.

As a matter fact it was a mountain which made me. Burdick gave me the Tribune job on the strength of a recommendation from Fred Pitney, his star reporter. Pitney remembered that when I covered the E. H. Harriman death watch for the Evening Sun, I had crawled up through the woods at Arden and come right to the door of the big house. Getting there didn’t get me anything but a boot from the butler. Still after a year and a half Pitney remembered me as an energetic young man. I’ve seen that hill since and now I couldn’t walk it let alone make the grade on my belly.

Pretty nearly ten years went by before I got fired again. The World did it. I had gone onto the paper on my own volition and through the seductive influence of Mr. Swope.

The Sacco-Vanzetti case has something to do with it but only indirectly. First of all I went on a one-man strike because they said I wasn’t to write about the case anymore. They didn’t disagree with my opinions but they objected to violence of language. “Is Harvard to be known hereafter as Hangman’s House?” Was the sentence which made the trouble.

At the end of six or seven months the good shoemaker and the poor fish peddler were dead and things were patched up for me to go back to the paper. Getting fired was something of a surprise. Being bereft of topics I dashed off a little masterpiece for The Nation saying that I thought the editorial policy of The Morning World was a shade on the timid side. I believe I said, “The World on numerous occasions has been able to take two, three, or even four different stands with precisely the same material in hand. So constant were the shifts during the Sacco-Vanzetti case that the paper seemed like an old car going up a hill.”

Naturally I didn’t expect the editors to like it but after all The Nation isn’t so big and umbrage wasn’t in the scope of my vision. Blithely on the way home I bought a morning paper but I only looked at the sport page. Arriving home I was asked as I came in the door whether or not I had read The World. “Sure,” I replied, “Yankees win, Giants win, Dodgers lose.” Those were the old, old Giants.

“But have you seen your own page?” my wife persisted.

“I’m saving that up for later,” I told her.

“You needn’t,” she said, “you’re fired.”

And so I was. There in my old spot was a box explaining that Mr. Broun had been dropped on account of disloyalty. I did object to the word a little because the casual reader would hardly know whether I had robbed the till or sat on the editor’s hat.

Still it was Summer and I was full of energy and I went around opening my shirt to show my scars and having a fine time in general. And presently I got a job with Scripps-Howard which lasted eleven years. This ran out in the Winter.

Since Nutmeg is a publication which belongs to what the Parisians wittily call “Le Presse Confidentiale,” or French to that effect, I think I may reveal that the farewell conference with Roy W. Howard passed off in entire peace and amity.

He said, “I’ve talked it over with my associates and we’ve decided not to make you an offer. It would be just too much grief. The price of newsprint is going up and we think the place to cut expenses is among the high price specialists in order to protect the run of the mine reporter.”

“Roy,” I said (all Scripps Howard executives are known by the first name even to the humblest employee), “I can’t possibly make any squawk about that because I’ve made that same speech myself at dozens of Guild meetings.”

And so we shook hands and had a drink and everything was very pleasant. But I still think it is better to be fired in the Summer.

For more about Heywood Broun and his newspaper career, be sure to get a copy of The Algonquin Round Table New York, A Historical Guide (Globe Pequot Press).

Related Post

Video From Talk About Vicious Circle WomenVideo From Talk About Vicious Circle Women

For the centennial of the first meeting of the Algonquin Round Table, author Kevin C. Fitzpatrick presented a brief talk at the Algonquin Hotel. He presented the women of the Vicious Circle–the ones not named Dorothy Parker and Edna Ferber. In this talk, learn about Jane Grant, who co-founded The New Yorker; Ruth Hale, who fought to preserve her maiden name after marriage; Neysa McMein, the popular magazine illustrator & artist; Beatrice Kaufman, the editor not ashamed of her husband’s cheating; Margaret Leech, the 2-time Pulitzer Prize winner; and the popular actresses Margalo Gillmore and Peggy Wood, both of whom were onstage for 50 years. Thank you Michele Gouveia for filming this.

For more about this subject, read the 2015 article 6 Women You Didn’t Know Were Members of the Algonquin Round Table.

Al Hirschfeld Illustration

The Round Table Centennial SummerThe Round Table Centennial Summer

The Algonquin Hotel is not going to let the centennial of the first luncheon of the Algonquin Round Table pass without notice. The national literary landmark has planned an entire summer of events to celebrate the Vicious Circle, which began as a welcome home roast for critic Alexander Woollcott in June 1919.

To mark the occasion, the hotel is having a special $19.99 lunch menu every day until Labor Day, live music on Thursdays and Saturday nights, and a poet in residence in the lobby on Fridays. You can also attend, and participate in open mic poetry readings. The full hotel schedule is here. There will be weekly history walking tours at 3:00 p.m. on Wednesdays, meeting in the lobby, the schedule and advance ticket link is here.

The hotel is hosting five evening curated dinners on Wednesday nights at 6:00 p.m. in June and July. Each week a different New York expert will be featured that is in keeping in the spirit of the Algonquin Round Table and its members. Book your spot in advance on Open Table for cocktails and dinner, noting the night you wish to attend.

Wednesday Night Schedule for the Round Table Room Restaurant
6:00 p.m. cocktails at the Round Table
6:30 p.m. seat for dinner
7:30-8:00 p.m. dessert and Round Table talk.
Guests must have dinner reservations. Reserve your seat in the Round Table Room here (note the date & time at 6:00).

These experts are in the spirit of the Vicious Circle and will be talking about topics in the vein of the legendary members of New York’s most famous group of friends. Come for cocktails and dinner and enjoy a look at the worlds of current New York City through writing, music, comedy, and the most-beloved pastime of the group: high-stakes poker.

Laurie Gwen Shapiro

June 12
Laurie Gwen Shapiro – Writing

Laurie Gwen Shapiro is a native of New York City’s Lower East Side. She has most recently written articles for publications including The New Yorker, New York Magazine, The Daily Beast, Lapham’s Quarterly, Slate, Aeon, Los Angeles Review of Books, and has her own history column focusing on unsung heroes for The Forward. Laurie is also a documentary filmmaker who won an Independent Spirit Award for directing IFC’s Keep the River On Your Right: A Modern Cannibal Tale and an Emmy nomination for producing HBO’s Finishing Heaven. The Stowaway is her first non-fiction book. It’s the spectacular, true story of a scrappy teenager from the Lower East Side who stowed away on the Roaring Twenties’ most remarkable feat of science and daring: an expedition to Antarctica.

Book your spot in advance here.

Michael Cumella

June 19
Michael Cumella – Music

Creator of the “Gramophone DJ” concept, Phonograph DJ Michael Cumella brings two 1905 disc phonographs and plays 78’s circa 1900-1929 for an engaging musical experience. The music ranges from ragtime to dance bands, instrumentalists to songsters. Visually fascinating and very entertaining, the presentation creates a wonderful atmospheric ambiance. As host of WFMU Radio’s Antique Phonograph Music Program since 1995, he is a leading expert on this period of culture and music. Michael will bring to the hotel a vintage phonograph and play original music from 1919.

Book your spot in advance here.

Noah Diamond

June 26
Noah Diamond – comedy

The #1 source for comedy knowledge of the Algonquin Round Table era is Noah Diamond, a writer, performer, producer, and raconteur. He’s the award-winning creator of the off-Broadway Marx Brothers revival I’ll Say She Is and has written and lectured extensively about the Brothers and their work, including a multimedia comedy lecture. This fall his brand-new show 400 Years in Manhattan will debut at the United Solo Theatre Festival in Manhattan on Theatre Row.

Book your spot in advance here.

Kevin Fitzpatrick

July 10
Kevin C. Fitzpatrick – history

The author of 8 non-fiction books tied to NYC history, including The Algonquin Round Table New York: A Historical Guide and Under the Table: The Dorothy Parker Cocktail GuideKevin C. Fitzpatrick started the Dorothy Parker Society 20 years ago. He has been leading walking tours of the Vicious Circle haunts and hangouts since 1999. His talk will be about the women of the Round Table. So many know of Parker and Edna Ferber, but not many can recall Jane Grant, Margalo Gillmore, Ruth Hale, Neysa McMein, Beatrice Kaufman, or Peggy Wood.

Book your spot in advance here.

joanna holliday

July 17
Joanna Holliday – poker

The World Series of Poker is the biggest gambling event of the year in the United States. Joanna Holliday is a professional poker player and has competed numerous times in big stakes tournaments across the country. She’s also a wit, fast-talker, and podcaster. For 25 years she’s been slinging drinks at Doc Holliday’s in the East Village. Since the majority of the Round Table were addicted to cards, she’s going to be talking about how to play poker and win, as well as what it takes to maintain your balance and wellness in such a stressful competition.

Book your spot in advance here.

The Algonquin is also offering special room packages, so why not spent a few nights in the most famous hotel in the city? Click here for more information. The events go all summer, and there will be more events in the fall as well. If you have any questions, contact us.
Divided By Three

The Flop of 1934, Divided By Three Fails to Find an AudienceThe Flop of 1934, Divided By Three Fails to Find an Audience

Eighty-five years ago the Algonquin Round Table members Peggy Leech and Bea Kaufman were licking their wounds after their debut collaboration flopped on Broadway. The two friends worked for about a year on a drama that failed to succeed. Divided by Three was the first play to open the Ethel Barrymore Theatre. It had a popular cast, led by megastar Judith Anderson, with a young Jimmy Stewart in a supporting role.

Divided By Three has not been published and is not available. It ran for just 32 performances in October 1934. Among the tepid reviews were this one from Time, 10/15/1934:

Divided by Three (by Margaret Leech Pulitzer and Beatrice Kaufman; Guthrie McClintic, producer) was written to make room for the superb abilities of smoldering Judith Anderson. It borrows the plot of Eugene O’Neill’s Strange Interlude and puts Miss Anderson back in the role she enormously enjoyed for a year. In Divided by Three again she is divided by: 1) her aggressive middle-aged lover (James Rennie); 2) her incredibly unsuspecting putterer of a husband; 3) her son (James Stewart). She finds it desirable and, until the second act curtain, possible to accept all three simultaneously.

It is her son who learns of her adultery, through the kindly offices of his priggish fiancée. As priggish as she, he calls his mother a whore and withdraws his love from both mother and fiancée. The last act allows everyone (still except the husband) to become readjusted to the situation. The son still feels that adultery is wrong; his mother is still determined to have what she wants. But just as she decides to come clean and divorce her husband, he comes home with the news that he has been wiped out in the stock market. Like the noble character she is, she drops the divorce plans. Her lover, after a minute’s anguish, decides after all to stay for dinner.

Only Judith Anderson makes this implausible story a moving and challenging affair. She bats her heavy-lidded eyes, settles her welterweight shoulders and makes her audience feel that something important is happening. Noteworthy are Donald Oenslager’s handsome settings.

Divided By Three

Judith Anderson rehearsing with director Guthrie McClintic for “Divided by Three” in his garden. ©The New York Public Library.


More newsworthy than their first play are Divided by Three’s authors.

Margaret Leech Pulitzer is the second wife of that studious, shy Ralph Pulitzer whom newspapermen have never forgiven for letting his late great father’s New York World be sold, and whom they howled out of accepting the post of administrator of the NRA newspaper code.

Beatrice Bakrow Kaufman is the wife of playwright George S. Kaufman (Of Thee I Sing, Once in a Lifetime, Dinner at Eight, Merrily We Roll Along), who lives on meat and chocolate peppermints, talks to himself on the street and is on the administration committee of the NRA theatre code.

Both Mrs. Pulitzer and Mrs. Kaufman are ringleaders of Manhattan’s first-nighting, croquet-playing, waggish literary-theatrical-social set. Mrs. Pulitzer has a two-year-old daughter; Mrs. Kaufman has a nine-year-old daughter. Mrs. Pulitzer graduated from Vassar, has written three competent novels, hates bridge, likes travel. Mrs. Kaufman quit Wellesley after a year; quit the University of Rochester to marry Mr. Kaufman. She is convinced she is No. 1 woman croquet player of the U. S.

Last week Manhattan critics tried to like their friends’ first play but only half of them succeeded.