Algonquin Round Table History,News Listen to The Secret Life of Walter Mitty

Listen to The Secret Life of Walter Mitty

Robert Benchley

Today is the 74th anniversary of recording The Secret Life of Walter Mitty (1944).

“The Secret Life of Walter Mitty” with Robert Benchley. Recorded for CBS on Dec. 20, 1944. Based on the 1939 short story by James Thurber, this is the full radio dramatization. It comes from “This Is My Best” radio series. Thurber praised Benchley’s performance, and didn’t like the 1947 Danny Kaye musical comedy version. Mogul David Selznick approached Benchley in 1940 about making a short film based on the Mitty story that first appeared in The New Yorker, but it didn’t work out. Less than a year after this recording was made, Benchley died in New York. “The Secret Life of Walter Mitty” is included in “Thurber Writings and Drawings” (Library of America series).

From The Algonquin Round Table New York: A Historical Guide (Lyons Press, 2015), by Kevin C. Fitzpatrick, with a foreword by Anthony Melchiorri.

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Heywood Broun

Heywood Broun on Actors and VaudevilleHeywood Broun on Actors and Vaudeville

Heywood Broun

Heywood Broun


On this day in 1938 Heywood Broun died. Here is a sample of one of his columns. From “It Seems To Me.” He loved vaudeville and the stage.

On Actors

Nothing in the world dies quite as completely as an actor and the greater the actor the more terrifying becomes the sudden transition from radiance to darkness. One day he is there with all his moods and complexities and curious glints of this and that, and the next day there is nothing left but a few wigs and costumes; perhaps a volume of memoirs, and a scrapbook of clippings in which we learn that the dead player was “majestic in presence” that “the poise of his head was stag-like” that he had “a great voice which boomed like a bell,” that he was “regal, subtle, pathetic,” and that “every one who was ever associated with him loved and respected him.”

Ask some veteran theatergoer “What was Booth like as Hamlet?” and he will say “Oh, he was wonderful.” Perhaps the face of the old theatergoer will grow animated and Booth may live again for a moment in his mind, but we who have never seen Booth will never know anything about him. Nobody can recreate and explain the art of a dead actor to the next generation. Even men who do tricks and true magic with words are not adept enough to set down any lasting portrait of an actor on the wing.

The Years With Ross

The Years With Ross by Thurber Gets A RebootThe Years With Ross by Thurber Gets A Reboot

The Years With Ross

The Years With Ross

James Thurber was not a founding member of The New Yorker, he joined about one year after the first issue rolled off the presses in February 1925. He was hired by cofounder Harold Ross because Thurber had newspaper experience, which counted more than a college degree to the ink-stained Ross. The two worked closely for the next several years and it was at the magazine that Thurber hit his stride as a writer. It was also while working for the magazine that he started publishing his cartoons, which made him equally famous.

The Years With Ross was the book of memoirs that Thurber wrote in the years after Ross died in December 1951. It is based on his memories (which a few insiders didn’t agree with). The book was a hit and continues to sell on the backlist of the successor to his original publisher. It also seems like every dozen years or so, sometimes more, a new edition comes out. If you tried to collect every edition and cover of The Years With Ross from 1959 to today, it would take up a small bookshelf. In 2001 Harper Perennial reissued the book with a new foreword by Adam Gopnik, the longtime writer for The New Yorker, who seems to get all the writing gigs when it concerns the magazine.

A new edition was brought out during the pandemic, in December 2020. It has a more colorful cover, using a stock news photo of Ross on the jacket. The photo is from the time Ross was in the public eye, testifying against public address announcements in Grand Central Terminal. It includes one of Thurber’s dogs.

The paperback still has 336 pages. It has stories about Charles Addams, Peter Arno, Robert Benchley, Ogden Nash, Dorothy Parker, and Alexander Woollcott. One thing it lacks is anything of value about Ross’ first wife, Jane Grant, who helped launch the magazine. She gets written out of any and all histories of The New Yorker, starting with this one. The book is a light read. It might also be useful if you plan to watch the upcoming Wes Anderson movie, The French Dispatch, which looks a lot like The New Yorker of the Harold Ross era.

Finally, a note to the HarperCollins art director. A cover blurb from the New York Herald Tribune is funny to see, since it has been defunct since 1966.

You can order the book here from Amazon, and the nine cents from Amazon will go to pay the hosting costs of this very website. More books about Round Table members are listed here.

Frank Sullivan Place

Frank Sullivan of Saratoga SpringsFrank Sullivan of Saratoga Springs

Frank Sullivan Home, Saratoga Springs

Frank Sullivan Home, Saratoga Springs


After the demise of the New York World in 1931, Algonquin Round Table member Frank Sullivan moved home to Saratoga Springs and became the ultimate freelancer. In a small clapboard house shared with his sister at 135 Lincoln Avenue, he turned out marvelous humor pieces for the rest of his career. “Once I visited New York for twenty years but I wouldn’t live there if you gave me Philadelphia,” he wrote. “A small town is the place to live. I live in a small town 180 miles from New York and while I would not say it has New York beat by a mile I would put the distance at six furlongs.”

Over the years, New Yorkers such as Harold Ross and Marc Connelly visited Sullivan, who took them to the racetrack, two blocks from his house, which treated him like royalty. He picked up the nickname “The Sage of Saratoga” and worked until his early eighties. He wrote for The New Yorker for fifty years as well as the Times sports section, the Saturday Evening Post, and Town & Country, his work collected in half a dozen books.

Sullivan suffered a series of falls in his home, and his health deteriorated. He died in Saratoga Hospital on February 19, 1976, at age 83. He is buried in the family plot St. Peter’s Cemetery in Saratoga Springs.

Frank Sullivan Place

Frank Sullivan Place

Today he is immortalized with a street sign nearby the racetrack, Frank Sullivan Place. His house was named a literary landmark, and is privately owned.

Adapted from The Algonquin Round Table New York, A Historical Guide (Globe Pequot Press) available here.