Algonquin Round Table History,News Brock Pemberton, From Kansas to the Great White Way

Brock Pemberton, From Kansas to the Great White Way

Brock Pemberton

Brock and Margaret Pemberton

Brock and Margaret Pemberton


Today is the anniversary of the birth of one of the most overlooked members of the Algonquin Round Table, namely, Brock Pemberton. His brother, Murdock Pemberton, gets barely more attention than his far more successful sibling. Let’s take a short dive into his life. All of the material is from The Algonquin Round Table New York: A Historical Guide.

It sounds like the story in a Broadway musical: hick conquers metropolis. However, this story was Brock Pemberton’s, and it really did happen that way. He went from Kansas newspaperman to powerful Broadway producer, and was the father of the annual Tony Awards.

Ralph Brock Pemberton was born December 14, 1885, in Leavenworth, Kansas. He grew up about 100 miles southwest, in Emporia, where his father worked as a salesman. He and his younger brother, Murdock, went to Emporia High School. Brock graduated in 1902 and attended the local College of Emporia for three years, before transferring to the University of Kansas. He got his A.B. degree in 1908 and returned home. Pemberton had known the legendary editor William Allen White of the Emporia Gazette since he was a boy, and White hired him as a reporter. Pemberton was a dynamo on the tiny staff.

Pemberton thrived on the Emporia newspaper under White’s tutelage. White had earned a national reputation for his provocative editorials, and made frequent trips to the East Coast. In the age-old way of newspaper employment, he spoke to a New York City editor on Pemberton’s behalf. With that, the 24 year-old booked a one-way ticket for Manhattan in 1910. Arriving on Park Row after a 1,300-mile train trek, he learned that the position was not going to materialize. But as luck would have it, someone gave him a note to hand to Franklin P. Adams, who was at the New York Evening Mail at the time. Just as F.P.A. would later stick his neck out for Robert Benchley and George S. Kaufman, he went to bat for Pemberton. He landed a job as a reporter.

After a few months Pemberton was transferred from the city desk to the drama department at the Mail. On his first assignment, he was sent to attend a musical called “Everywoman” at the Herald Square Theatre. Pemberton innocently reviewed the show as if he was an audience member in Emporia, with hilarious results. The staff found his hayseed review backslapping funny, and the edition became a collector’s item, to Pemberton’s embarrassment. He had to learn to be more hard-edged.

In 1911 he moved to the New York World drama desk, where he got to know the bustling theater business intimately. A few years later he was offered the position of assistant drama editor at the New York Times, working under Alexander Woollcott, who was the paper’s chief drama critic. His contacts grew. Pemberton had spent six years in New York journalism when producer Arthur Hopkins offered him a job in 1917. Hopkins was one of the most successful producers in the city, and Pemberton was put to work in every capacity, from set construction to directing. It was his new career.
Pemberton stayed in the Hopkins organization for just three years, but he learned the skills a producer would need. When Hopkins passed on producing a three-act comedy called “Enter Madame” in 1920, Pemberton asked if he could produce it. He took the biggest gamble of his life, and it paid off. The show ran for two years at the Garrick; he also directed the show. He was a newly minted Broadway producer at age 35. Soon after, Pemberton tapped Zona Gale to adapt her bestseller “Miss Lulu Bett” into a play, and he opened it two days after Christmas 1920. It was a smash success at the Belmont, and won the Pulitzer Prize as the year’s best drama the following year.

On Dec. 30, 1915, Pemberton married Margaret McCoy in East Orange, New Jersey. He was 30 and she was 36. She sometimes would work as a costumer on her husband’s shows.

In 1919, when the Round Table began, he was living at 123 East 53rd Street, between Park and Lexington avenues. The building has since been demolished. In 1918 he lived at 123 E. 53rd Street. He lived at 115 East 53rd Street in 1920, 1927, and 1931. In 1948 he was living at 455 E. 51st Street.

In 1925, the offices of Pemberton Productions, Inc. and Brock Pemberton, Inc. were at 224 West 47th Street. That building was demolished and is today the Hotel Edison, which opened in 1931.

Pemberton carved out a 30-year career in the theater business. He took on risky shows and had many hits, and several flops. He brought out the first plays by Maxwell Anderson and Sidney Howard. Among the many actors whose careers he launched onstage were Walter Huston, Miriam Hopkins, Claudette Colbert and Frederic March. In 1928 he lost $40,000 on a show, but bounced back the next year with the light comedy “Strictly Dishonorable” that began a long association with the actress-director Antoinette Perry. The pair had a string of hits together; some said they also had a long-running romantic relationship. The pair was among those that helped form the American Theatre Wing in 1939; the group put on the Stage Door Canteen shows for troops during the war. After Perry’s death in 1946, Pemberton pushed for the creation of the American Theatre Wing’s Antoinette Perry Awards for Excellence in Theatre — the Tony Awards.

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Mank

5 Things You Don’t Know About Herman J. Mankiewicz5 Things You Don’t Know About Herman J. Mankiewicz

The trailer has been released for the new David Fincher-directed film Mank, about Citizen Kane screenwriter Herman J. Mankiewicz. The movie will come out in theaters in November and on Netflix in December. Mank is only the second biographical film about a member of the Algonquin Round Table; Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) was the first.

Mankiewicz was one of the great screenwriters and producers of the Golden Age of Hollywood. He is one of the 30 members of the Vicious Circle whom I wrote about in my book The Algonquin Round Table New York: A Historical Guide. There are many facts about his incredible life (for example, he produced the three best Marx Brothers movies); and most probably will not make it into this film, sadly, but I’ll share them here.

1. He was born in New York City in 1897 but as a child grew up in Wilkes-Barre, Pennsylvania, where his father was a teacher. As a boy his beloved bicycle was stolen. That was the inspiration for Rosebud in Citizen Kane.

2. He was incredibly gifted and entered Columbia when he was just 15, graduating three years later and then onto graduate school. He was a voracious reader, and it’s said that his book collection in Hollywood was among the greatest private libraries in the city.

3. Mankiewicz enlisted in the U.S. Marine Corps and served in World War I. Because he spoke fluent German, this helped him in post-war Germany, where he worked for the Red Cross and as a newspaper correspondent.

4. He did not join the Round Table until he moved to New York in 1922, brought there by George S. Kaufman. Mankiewicz worked at the World, where he met Franklin P. Adams and Heywood Broun. He then transferred to the Times. All of these newspaper experiences are in Citizen Kane.

5. Mank was hired by Harold Ross and Jane Grant as one of the first writers for The New Yorker. Alexander Woollcott called him “the funniest man in New York,” and Robert E. Sherwood said he was “the truest wit of all.”

He quit journalism and went to Hollywood in 1926, right when silents transitioned to talkies. He famously sent a telegram back to New York to Ben Hecht: “Millions are to be grabbed out here and your only competition is idiots. Don’t let this get around.”

For fans of the Algonquin Round Table, it looks like the cast has other characters with names familiar to the group and The New Yorker. There are roles in the film for George S. Kaufman, Charles MacArthur, Ben Hecht, and S.J. Perelman. The always-great Gary Oldman plays Mankiewicz.

The trailer and the photos from the film look amazing. Fincher of course is a meticulous auteur, and if the film is anything like his previous work such as The Social Network or The Curious Case of Benjamin Button, this movie will do justice to the tragic life and brilliant career of Herman Mankiewicz.

Walk in the Footsteps of the Vicious CircleWalk in the Footsteps of the Vicious Circle

The Algonquin Hotel

The Algonquin Hotel

The first public walking tours of 2018 will be in January and February. The walks are led by Kevin C. Fitzpatrick, author of The Algonquin Round Table New York and A Journey into Dorothy Parker’s New York.

Algonquin Round Table Tour
Mondays, meet at the Algonquin Hotel 10:45, walks begin at 11:00.
29 January
5 February
12 February
26 February
Advance tickets required, click here to book.

Dorothy Parker’s Upper West Side
Wednesdays, meet at Riverside Drive and W. 72nd Street 10:45, walks begin at 11:00.
31 January
7 February
14 February
28 February
Advance tickets required, click here to book.

If the attendance is consistent more dates will be added in March and April. Keep watching the blog and Facebook page for announcements.

Walk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & WitsWalk in the Footsteps of the Algonquin Round Table in New Guide Book to Jazz Age Writers & Wits

Algonquin Round Table New York: A Historical Guide (Lyons Press)

Algonquin Round Table New York: A Historical Guide (Lyons Press)

New York—Retrace the steps of the legendary wits that convened at the Algonquin Hotel in 1919 who called themselves the Vicious Circle. THE ALGONQUIN ROUND TABLE NEW YORK: A HISTORICAL GUIDE is the first book to fully explore the whole group and their world. It’s packed with photos and maps.

“That is the thing about New York,” wrote Dorothy Parker in 1928. “It is always a little more than you had hoped for. Each day, there, is so definitely a new day.”

Now you can journey back there, in time, to a grand city teeming with hidden speakeasies, luxurious Broadway playhouses, and dazzling skyscrapers. In these places, Parker and her cohorts in the Vicious Circle sharpened their wit, polished their writing, and captured the energy and elegance of the time. Robert Benchley, Parker’s best friend, became the first managing editor of Vanity Fair before Irving Berlin spotted him onstage in a Vicious Circle revue and helped launch his acting career. Edna Ferber, creator of bestselling melodramas, wrote the Pulitzer-winning So Big as well as Show Boat and Giant. Jane Grant pressed her first husband, Harold Ross, into starting The New Yorker. Herman Mankiewicz was a Times wage slave who soaked up the atmosphere, later pouring it into his screenplay for Citizen Kane. Parker wrote for Vanity Fair and Vogue before ascending the throne as queen of the Round Table, earning everlasting fame (but rather less fortune) for her award-winning short stories and unforgettable poems. These are a few of the thirty figures from backstage Broadway to newspaper city rooms in the book.

Explore their favorite salons and saloons, their homes and offices (most still standing), while learning about their colorful careers and private lives. Packed with archival photos, drawings, and other images—including never-before-published material—this illustrated historical guide includes current information on all locations. Use it to retrace the footsteps of the Algonquin Round Table, and you’ll discover that the golden age of Gotham still surrounds us.

About the Author
Kevin C. Fitzpatrick (author), president of the Dorothy Parker Society, is the author of Under the Table: A Dorothy Parker Cocktail Guide (Lyons Press). He has been leading walking tours from the Algonquin Hotel for 15 years. Visit him at fitzpatrickauthor.com.

Anthony Melchiorri (foreword) is the creator and host of Hotel Impossible on the Travel Channel. A former general manager of the Algonquin Hotel, he has twenty years experience at the top hotels in the industry.

To Pre-Order: The Algonquin Round Table New York: A Historical Guide, by Kevin C. Fitzpatrick, (Lyons Press January 2014; ISBN: 978-1-4930-0757-8)